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" The birds their quire apply ; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves, while universal Pan, Knit with the Graces and the Hours in dance, Led on the eternal Spring. "
The Southern Quarterly Review - Page 444
edited by - 1844
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Criticisms on Art, and Sketches of the Picture Galleries of England: With ...

William Hazlitt - Art - 1843 - 442 pages
...scattered hamlets, rise up in never-ending succession, under the azure sky and the resplendent sun, while " Universal Pan, Knit with the graces, and the hours, in dance, Leads on the eternal spring." Michael Angelo has left, in one ,of his sonnets, a fine apostrophe to...
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English poetry, for use in the schools of the Collegiate institution ...

English poetry - 1844 - 110 pages
...quire apply ; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves ; while universal Pan, Knit with the Graces and the Hours in dance, Led on the eternal Spring. MILTON. MOENING HYMN OF ADAM AND EVE. THESE are thy glorious works, Parent of good,...
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The Methodist new connexion magazine and evangelical repository, Volume 54

1851 - 650 pages
...choir apply ; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves, while universal Pan, Knit with the graces and the hours in dance, Led on the eternal spring.* These passages scarcely look as if Milton had only studied nature through the...
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General History of Civilization in Europe: From the Fall of the ..., Volume 2

Guizot (M., François) - Civilization - 1846 - 446 pages
...quire apply ; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves, while universal Pan Knit with the graces and the hours in dance, Led on the eternal spring."1 The description of Saint Avitus is certainly rather superior than inferior to...
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Milton's Earthly Paradise: A Historical Study of Eden

Joseph Ellis Duncan - Eden in literature - 1972 - 349 pages
..."amplior" air greets one in both. As one sees in Elysium some dancing and some chanting, in Paradise "Universal Pan / Knit with the Graces and the Hours in dance / Led on the Eternal Spring." Milton's Paradise implies an endless discovery of loci amoeni, but sometimes all...
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A Critical History of English Literature: Shakespeare to Milton, Volume 2

David Daiches - 1979 - 304 pages
...choir apply; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves, while universal Pan Knit with the Graces and the Hours in dance Led on th' eternal Spring. Not that fair field Of Enna, where Proserpin gath'ring flow'rs, Herself a fairer flow'r, by gloomy...
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John Milton's Aristocratic Entertainments

Cedric C. Brown - Drama - 1985 - 246 pages
...like its equivalent in the description of the earthly paradise in Book Four of Paradise Lost: '. . . while universal Pan /Knit with the Graces and the Hours in dance /Led on the eternal spring' (266-268). There is a cluster of images. Both passages link Graces and Hours with...
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The Classical Tradition : Greek and Roman Influences on Western Literature ...

Gilbert Highet - Literary Criticism - 1949 - 802 pages
...is so presented : the garden where, since Milton could not keep out the lovely Greek nature-spirits, universal Pan, Knit with the Graces and the Hours in dance, Led on the eternal Spring. Not that fair field Of Enna, where Proserpin gathering flowers, Herself a fairer...
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Poetic Form and British Romanticism

Stuart Curran - Literary Criticism - 1990 - 280 pages
...choir apply; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves, while universal Pan Knit with the Graces and the Hours in dance Led on th'Eternal Spring. Not that fair field Of Enna, where Proserpin gath'ring flow'rs Herself a fairer...
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Milton, Poet of Exile

Louis Lohr Martz - Poetry - 1986 - 388 pages
...Myrtle crownd. Her chrystall mirror holds, unite thir streams. [4.257-63] Meanwhile "Universal Pan I Knit with the Graces and the Hours in dance / Led on th' Eternal Spring" (4.266-68), evoking the legend of Zephyrus and Chloris-Flora referred to overtly at the outset of book...
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