Kentish Poets: A Series of Writers in English Poetry, Natives of Or Residents in the County of Kent; with Specimens of Their Compositions, and Some Account of Their Lives and Writings, Volumes 1-2G. Wood, 1821 - Authors, English |
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Page 19
... hand , and his pieces are much deformed by redundancies , and the frequent recurrence of monosyllables . He indulged in the use of the French accentuation , whether his words were of French origin or not , which was excusable in his own ...
... hand , and his pieces are much deformed by redundancies , and the frequent recurrence of monosyllables . He indulged in the use of the French accentuation , whether his words were of French origin or not , which was excusable in his own ...
Page 20
... hand of that great master of song . The poems of Sir Thomas Wyatt were first collected and published in 1559. They were afterwards reprinted by Dr. Sewell , in 1717 , and were admitted for the first time into a collection of English ...
... hand of that great master of song . The poems of Sir Thomas Wyatt were first collected and published in 1559. They were afterwards reprinted by Dr. Sewell , in 1717 , and were admitted for the first time into a collection of English ...
Page 40
... England . That is ; " an expression of countenance , which at the same time that it was stern , to mark his abhorrence of vice , was mild to encourage the love of virtue . " A hand , that taught what might be said in.
... England . That is ; " an expression of countenance , which at the same time that it was stern , to mark his abhorrence of vice , was mild to encourage the love of virtue . " A hand , that taught what might be said in.
Page 47
... hand and eye of a master , and leaves us to regret that he has done so little in that most de- lightful walk . But it is in allegory that his chief per- fection lies . " The shadowy inhabitants of hell's gates , " says Warton , are his ...
... hand and eye of a master , and leaves us to regret that he has done so little in that most de- lightful walk . But it is in allegory that his chief per- fection lies . " The shadowy inhabitants of hell's gates , " says Warton , are his ...
Page 55
... hands consumed to the bone ; But what his body was I cannot say , For on his carcase raiment had he none Save clouts and patches pieced one by one . With staff in hand , and scrip on shoulder cast , His chief defence against the ...
... hands consumed to the bone ; But what his body was I cannot say , For on his carcase raiment had he none Save clouts and patches pieced one by one . With staff in hand , and scrip on shoulder cast , His chief defence against the ...
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Common terms and phrases
Albertus Morton appear beauty born breast bright Canterbury character charms court dear death delight divine dost doth dread Duncombe Earl earth Eclogues ev'ry eyes fair fame fear flame flowers gentle Gentleman's Magazine Giles Fletcher give grace grief groves hand happy hast hath Hawkesworth heart heaven honour John Duncombe John Lilly Kent Kentish King lady learned light live Lord lyre majesty mind muse never Nicholas Amhurst night nymphs o'er pain passion peace Phineas Fletcher plain poem poet poetical poetry pow'r praise pride Queen reign sacred shade shepherds shew shine sighs sight sing Sir Henry Wotton Sir Philip Sidney Sir Thomas Wyatt smile soft song Sonnet soon soul stanza swain sweet tears thee thine thing Thirsil thou thought translation unto verse virtue whilst winds wings writer youth
Popular passages
Page 192 - Come on, sir; here's the place: — stand still. — How fearful And dizzy 'tis, to cast one's eyes so low! The crows, and choughs, that wing the midway air, Show scarce so gross as beetles : Half way down Hangs one that gathers samphire; dreadful trade! Methinks, he seems no bigger than his head: The fishermen, that walk upon the beach, Appear like mice; and yon...
Page 249 - How happy is he born and taught That serveth not another's will, Whose armour is his honest thought, And simple truth his utmost skill!
Page 61 - Stone walls do not a prison make, Nor iron bars a cage; Minds innocent and quiet take That for an hermitage; If I have freedom in my love And in my soul am free, Angels alone, that soar above, Enjoy such liberty.
Page 23 - And wilt thou leave me thus ? Say nay ! say nay ! And wilt thou leave me thus, That hath loved thee so long In wealth and woe among : And is thy heart so strong As for to leave me thus ? Say nay ! say nay...
Page 147 - Shepherds, weep no more ! For Lycidas, your sorrow, is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky...
Page 184 - At cards for kisses — Cupid paid; He stakes his quiver, bow and arrows, His mother's doves, and team of sparrows; Loses them too; then down he throws The coral of his lip, the rose Growing on's cheek (but none knows how), With these, the crystal of his brow, And then the dimple of his chin; All these did my Campaspe win. At last he set her both his eyes, She won, and Cupid blind did rise. O Love! has she done this to thee? What shall, alas! become of me? THE SONGS OF BIRDS What bird so sings, yet...
Page 21 - Now cease, my lute, this is the last Labour, that thou and I shall waste; And ended is that we begun : Now is this song both sung and past; My lute, be still, for I have done.
Page 250 - Whose armour is his honest thought And simple truth his utmost skill! Whose passions not his masters...
Page 246 - Nature seem'd in love: The lusty sap began to move; Fresh juice did stir th' embracing vines, And birds had drawn their valentines, The jealous Trout, that low did lie, Rose at a well dissembled fly; There stood my friend with patient skill, Attending of his trembling quill.
Page 215 - ... the wood, That warble forth Dame Nature's lays, Thinking your passions understood By your weak accents; what's your praise, When Philomel her voice shall raise? You violets that first appear, By your pure purple mantles known Like the proud virgins of the year, As if the spring were all your own, What are you, when the Rose is blown? So when my Mistress shall be seen In form and beauty of her mind, By virtue first, then choice, a Queen, Tell me, if she were not designed Th' eclipse and glory...