Somerset House Gazette and Literary Museum, Or, Weekly Miscellany of Fine Arts, Antiquities, and Literary Chit ChatW. Wetton, 1824 - Art |
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Page 16
... feeling what is sublime or beautiful in ancient art . The history of these sculptures is from the pen of the celebrated Visconti . The typographical part is very beau- tiful , and the work when completed will form a splendid addition to ...
... feeling what is sublime or beautiful in ancient art . The history of these sculptures is from the pen of the celebrated Visconti . The typographical part is very beau- tiful , and the work when completed will form a splendid addition to ...
Page 24
... feelings with which I took my parting look of it from the bridge . The pride , the scorn , the burning scorn , that ... feeling of my nature . The thirst of revenge- the dream , the abominable dream , of a guilty , haughty , ( but I won ...
... feelings with which I took my parting look of it from the bridge . The pride , the scorn , the burning scorn , that ... feeling of my nature . The thirst of revenge- the dream , the abominable dream , of a guilty , haughty , ( but I won ...
Page 26
... feeling , that the bust of a living friend is always accompa nied , at least in my own case , with rather an unpleasant emotion , painfully suggesting a period when I would be glad to avail myself of this last memorial . It is probably ...
... feeling , that the bust of a living friend is always accompa nied , at least in my own case , with rather an unpleasant emotion , painfully suggesting a period when I would be glad to avail myself of this last memorial . It is probably ...
Page 30
... feeling , and is mas- terly in execution . The effect is broad , and the divi- sions of the scene recede in ærial perspective , without the aid of those artificial vapours and meretricious gleams which are so commonly studied to seduce ...
... feeling , and is mas- terly in execution . The effect is broad , and the divi- sions of the scene recede in ærial perspective , without the aid of those artificial vapours and meretricious gleams which are so commonly studied to seduce ...
Page 37
... feeling , and a humour which never loses afraid that there is a small leaven of poetry in his pa- sight of decency or taste , these constitute the chief merits triotism . At any rate , if there be no fiction , there is a of Mr. Irving ...
... feeling , and a humour which never loses afraid that there is a small leaven of poetry in his pa- sight of decency or taste , these constitute the chief merits triotism . At any rate , if there be no fiction , there is a of Mr. Irving ...
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admiration amateur amusing ancient antiquity appear artist beautiful better British celebrated character colour composition day is published delight designs drawing Duke effect elegant England English engraving excellent exhibition feeling Fleet Street gallery genius gentleman give grace Guercino H. L. Hunt hand head honour humour interest Italian Italy J. M. W. Turner John King labour lady landscape late living London look Lord manner master ment merit mind nature never notice observed original painted painter Pall Mall pencil person picture plates poetry Pompeii portrait possession present Printed racter reader Rembrandt rich Royal Academy scene seen shew Sir Joshua Reynolds sketch society Somerset House Gazette specimen spirit Street style talent taste thing Thomas Girtin thou thought tion Titian volume W. B. Whittaker whole Wilson young
Popular passages
Page 239 - AH ! who can tell how hard it is to climb The steep where Fame's proud temple shines afar; Ah! who can tell how many a soul sublime Has felt the influence of malignant star, And waged with Fortune an eternal war; Check'd by the scoff of Pride, by Envy's frown, And Poverty's unconquerable bar, In life's low vale remote has pined alone, Then dropt into the grave, unpitied and unknown...
Page 63 - Where the great Sun begins his state Robed in flames and amber light, The clouds in thousand liveries dight; While the ploughman, near at hand, Whistles o'er the furrowed land, And the milkmaid singeth blithe, And the mower whets his scythe, And every shepherd tells his tale Under the hawthorn in the dale.
Page 179 - And the matin-bell and the mountain bee : Fireflies were quenched on the dewy corn, Glowworms went out on the river's brim Like lamps which a student forgets to trim : The beetle forgot to wind his horn, The crickets were still in the meadow and hill: Like a flock of rooks at a farmer's gun Night's dreams and terrors, every one, Fled from the brains which are their prey From the lamp's death to the morning ray. 296 The Boat on the Serchio All rose to do the task He set to each, Who shaped us to his...
Page 281 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was. Man is but an ass, if he go about to expound this dream.
Page 196 - Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We'd jump the life to come. But in these cases We still have judgment here; that we but teach Bloody instructions, which, being taught, return To plague the inventor; this even-handed justice Commends the ingredients of our poisoned chalice To our own lips.
Page 35 - Then old age and experience, hand in hand, Lead him to death and make him understand After a search so painful and so long, That all his life he has been in the wrong.
Page 179 - I love Love — though he has wings, And like light can flee, But above all other things, Spirit, I love thee — Thou art love and life ! O come ! Make once more my heart thy home ! STANZAS WRITTEN IN DEJECTION NEAR NAPLES.
Page 179 - How shall ever one like me Win thee back again? With the joyous and the free Thou wilt scoff at pain. Spirit false! thou hast forgot All but those who need thee not. As a lizard with the shade Of a trembling leaf, Thou with sorrow art dismayed; Even the sighs of grief Reproach thee, that thou art not near, And reproach thou wilt not hear.
Page 178 - A lovelier toy sweet Nature never made, A serious, subtle, wild, yet gentle being, Graceful without design and unforeseeing, With eyes — Oh speak not of her eyes! — which seem Twin mirrors of Italian Heaven, yet gleam With such deep meaning, as we never see But in the human countenance...
Page 80 - And he that regarded not the word of the Lord left his servants and his cattle in the field. 22 And the Lord said unto Moses, Stretch forth thine hand toward heaven, that there may be hail in all the land of Egypt, upon man, and upon beast, and upon every herb of the field, throughout the land of Egypt.