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The Falls of Clyde, Or the Fairies: A Scotish Dramatic Pastoral, in Five ...
No preview available - 2018
The Falls of Clyde: Or, the Fairies; A Scotish Dramatic Pastoral, in Five ...
Emeritus Professor John Black
No preview available - 2016
Adam admirable appear beautiful better body called Catharine charms Clyde common critics dialect English eyes face fair fairy fall fear feet firſt frae give given green hear heard heart heaven hence hill hour Italy James Jamie Jean John kind land language learned light lines live look maid mair manner mentioned mind moon moſt nature never night Note o'er objects observed painted paſſage paſtoral perhaps person poetry poets poor Pope Queen remark rocks round ſays SCENE Scotish Scotland Shepherd Sir John ſome songs soon ſuch sure Symon tears tell thee there's theſe thing thoſe thou thought tree true Twas uſe weel wild wonder wood writers written young
Page 103 - Indian mount; or faery elves, Whose midnight revels, by a forest side Or fountain, some belated peasant sees, Or dreams he sees, while overhead the Moon Sits arbitress, and nearer to the Earth Wheels her pale course; they, on their mirth and dance Intent, with jocund music charm his ear; At once with joy and fear his heart rebounds.
Page 84 - Rise up, my love, my fair one, and come away. For, lo, the winter is past, the rain is over and gone ; the flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land; the fig-tree putteth forth her green ligs, and the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away.
Page 5 - ... with the characters and actions of such persons as have, many of them, no existence but what he bestows on them. Such are fairies, witches, magicians, demons, and departed spirits. This Mr. Dryden calls "the fairy way of writing...
Page 45 - Above all, such are their terrible graces of magic and enchantment, so magnificently marvelous are their fictions and fablings, that they contribute in a wonderful degree to rouse and invigorate all the powers of imagination, to store the fancy with those sublime and alarming images which true poetry best delights to display.
Page 36 - But love is only one of many passions, and as it has no great influence upon the sum of life, it has little operation in the dramas of a poet, who caught his ideas from the living world, and exhibited only what he saw before him. He knew, that any other passion, as it was regular or exorbitant, was a cause of happiness or calamity.
Page 47 - Description) as she does in the Scottish Horizon. We are not carried to Greece or Italy for a Shade, a Stream or a Breeze. The Groves rise in our own Valleys; the Rivers flow from our own Fountains, and the Winds blow upon our own Hills.
Page 54 - ... more rhyming couplets are found, than in all the plays composed subsequently to that year, which have been named his late productions.
Page 36 - It is not (replied our philosopher) because they treat, as you call it, about love, but because they treat of nothing, that they are despicable : we must not ridicule a passion which he who never felt never was happy, and he who laughs at never deserves to feel — a passion which has caused the change of empires, and the loss of worlds — a passion which has inspired heroism and subdued avarice.
Page 29 - ... to their minds the interesting scenes of infancy and youth — to awaken many pleasing, many tender recollections. Literary men, residing at Edinburgh or Aberdeen, cannot judge on this point for one hundred and fifty thousand of their expatriated countrymen...