The Edinburgh Review: Or Critical Journal, Volume 206A. Constable, 1907 |
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Page 42
... artist's inner thought . Botticelli , if he painted religious incidents , painted them with an undercurrent " of original sentiment which touches you as the real matter of ' the picture through the veil of its ostensible subject . ' The ...
... artist's inner thought . Botticelli , if he painted religious incidents , painted them with an undercurrent " of original sentiment which touches you as the real matter of ' the picture through the veil of its ostensible subject . ' The ...
Page 78
... artist portrayed the dress of the person whom he was asked to record with strict accuracy , though not always in the costume of his time , for not infrequently he placed a man who had died some years before his monument was prepared in ...
... artist portrayed the dress of the person whom he was asked to record with strict accuracy , though not always in the costume of his time , for not infrequently he placed a man who had died some years before his monument was prepared in ...
Page 83
... artist , as in the case of a brass at Tingewick , Bucks ( 1608 ) , which is signed R. Haydock . ' The same artist was probably the creator of the brass at Queen's College of the date 1616 , which has already been described , since the ...
... artist , as in the case of a brass at Tingewick , Bucks ( 1608 ) , which is signed R. Haydock . ' The same artist was probably the creator of the brass at Queen's College of the date 1616 , which has already been described , since the ...
Contents
AUTHORIZED EDITION | 1 |
CONVOCATION AND THE CHURCH OF ENGLAND | 50 |
1 | 128 |
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