The Incarnate Word: Literature as Verbal Space |
From inside the book
Results 1-3 of 17
Page 211
... novels in linear form , evident in all our critical conventions , performs a perfect inversion of Burroughs's writing . Burroughs tells us his novels can be entered anywhere , and he invites us to cut up and fold in our own material ...
... novels in linear form , evident in all our critical conventions , performs a perfect inversion of Burroughs's writing . Burroughs tells us his novels can be entered anywhere , and he invites us to cut up and fold in our own material ...
Page 223
... novels as vessels of revelation ; they do not in any sense contain the texture of a new landscape . Nor does he wish ... novels as linear narratives . The novels are not in themselves vehicles of revelation , 223 Radical space in Burroughs.
... novels as vessels of revelation ; they do not in any sense contain the texture of a new landscape . Nor does he wish ... novels as linear narratives . The novels are not in themselves vehicles of revelation , 223 Radical space in Burroughs.
Page 224
... novels juxtapose the conflicting male - female human or- ganisms , the double forms of the incarnate word . An absolute juxtaposition would create a miniature nova in the mind of the reader . The state of physical outrage - achieved by ...
... novels juxtapose the conflicting male - female human or- ganisms , the double forms of the incarnate word . An absolute juxtaposition would create a miniature nova in the mind of the reader . The state of physical outrage - achieved by ...
Contents
ONE Introduction | 3 |
the circle as figural space | 25 |
a fourfold | 129 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
Ariel becomes Blake's bliss blood body's Borges Burroughs Burroughs's Caliban cave Christ circle consciousness create dark death Diddy dream dreamer earth earthly ecstatic empty enclosed enclosure Ernest de Selincourt eternal experience eyes fall fallen world field figure final flesh flower fold garden Geoffrey Keynes God's grace grove harvest head heaven Henry Moore human body imagination incarnation infinite inhabited island Jerusalem landscape language Malcolm de Chazal meditative metaphor mind Miranda Naked Lunch nature novels Paradise Lost Paradise Regained Paul Klee Pearl perception plate play poem's poet poet's Poetry posture Prospero reader reading Roethke round Satan satire seed sense sexual shape sleep Soft Machine spatial sphere stone story structure Swift Tale Tempest texture thou tion University Press verbal space vision visionary wandering William Blake William Carlos Williams womb words Wordsworth writes York þat