Imperialism And Music: Britain 1876-1953This is the first book to consider the relationship between British imperialism and music. With its unique ability to stimulate the emotions and to create mental images, music was used to dramatize, illustrate, and reinforce the components of the ideological cluster that constituted British imperialism in its heyday: patriotism, monarchism, hero-worship, Protestantism, racialism, and chivalry. It was also used to emphasize the inclusiveness of Britain by stressing the contributions of England, Scotland, Wales, and Ireland to the imperial project. |
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Contents
Sullivans Empire | 41 |
coronations and jubilees | 88 |
Armistice Day and Empire | 152 |
exhibitions and festivals | 177 |
the Aldershot Tattoo | 211 |
opera operetta and ballet | 248 |
music for imperial films sun never | 279 |
Sing a song of Empire | 324 |
From Greenlands icy mountains from Indias coral | 366 |
Imperial march | 411 |
the dominions musical tour | 450 |
Dame Emma Albani | 469 |
Peter Dawson | 495 |
Conclusion | 525 |
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