Let us gather up the sunbeams, THE BALLOT BOX. I am aware that the ballot box is not everywhere a consistent symbol; but to a large degree it is so. I know what miserable associations cluster around this instrument of popular power. I know that the arena in which it stands is trodden into mire by the feet of reckless ambition and selfish greed. The wire-pulling and the bribing, the pitiful truckling and the grotesque compromises, the exaggeration and the detraction, the melo-dramatic issues and the sham patriotism, the party watchwords and the party nicknames, the schemes of the few paraded as the will of the many, the elevation of men whose only worth is in the votes they command,-vile men, whose hands you would not grasp in friendship, whose presence you would not tolerate by your fireside,-incompetent men, whose fitness is not in their capacity as functionaries, or legislators, but as organ pipes;-the snatching at the slices and offal of office, the intemperance and the violence, the finesse and the falsehood, the gin and the glory; these are indeed but too closely identified with that political agitation which circles around the ballot box. But, after all, they are not essential to it. They are only the masks of a genuine grandeur and importance. For it is a grand thing,-something which involves profound doctrines of right,-something which has cost ages of effort and sacrifice,—it is a grand thing that here, at last, each voter has just the weight of one man; no more, no less; and the weakest, by virtue of his recognized And consider, It is the token manhood, is as strong as the mightiest. for a moment, what it is to cast a vote. of inestimable privileges, and involves the responsibilities of an hereditary trust. It has passed into your hands as a right, reaped from fields of suffering and blood. The grandeur of history is represented in your act. Men have wrought with pen and tongue, and pined in dungeons, and died on scaffolds, that you might obtain this symbol of freedom, and enjoy this consciousness of a sacred individuality. To the ballot have been transmitted, as it were, the dignity of the sceptre and the potency of the sword. And that which is so potent as a right, is also pregnant as a duty; a duty for the present and for the future. If you will, that folded leaf becomes a tongue of justice, a voice of order, a force of imperial law; securing rights, abolishing abuses, erecting new institutions of truth and love. And, however you will, it is the expression of a solemn responsibility, the exercise of an immeasurable power for good or for evil, now and hereafter. It is the medium through which you act upon your country,-the organic nerve which incorporates you with its life and welfare. There is no agent with which the possibilities of the republic are more intimately involved, none upon which we can fall back with more confidence than the ballot box. E. H. Chapin. THE RAZOR SELLER. A fellow in a market town, Most musical, cried razors up and down, As every man would buy, with cash and sense. A country bumpkin the great offer heard: That seemed a shoe-brush stuck beneath his nose. With cheerfulness the eighteenpence he paid, "No matter if the fellow be a knave, It certainly will be a monstrous prize." And quickly soaped himself to ears and eyes. Being well lathered from a dish or tub, 'Twas a vile razor,-then the rest he tried,- "I wish my eighteenpence were in my purse." In vain to chase his beard, and bring the graces, He cut, and dug, and winced, and stamped, and swore, Brought blood, and danced, blasphemed, and made wry faces, And cursed each razor's body o'er and o'er: His muzzle, formed of opposition stuff, Firm as a Foxite, would not loose its ruff; So kept it,-laughing at the steel and suds: Hodge sought the fellow,-found him,—and begun; Sirrah! I tell you, you're a knave, To cry up razors that can't shave." "Friend," quoth the razor man, "I'm not a knave: As for the razors you have bought, Upon my soul I never thought That they would shave." "Not think they'd shave!" quoth Hodge, with wondering eyes, And voice not much unlike an Indian yell; "What were they made for, then, you dog?" he cries; “Made!” quoth the fellow, with a smile-“to sell.” Peter Pindar. GINEVRA. If ever you should come to Modena, 'Tis of a lady in her earliest youth, She sits, inclining forward as to speak, Her lips half open, and her finger up, As though she said, "Beware!" her vest of gold Broidered with flowers, and clasped from head to foot; An emerald stone in every golden clasp; And on her brow, fairer than alabaster, A coronet of pearls. But then her face, So lovely, yet so arch, so full of mirth, The overflowings of an innocent heart, It haunts me still, though many a year has fled, Alone it hangs, Over a mouldering heirloom, its companion, She was an only child,-her name Ginevra,- Just as she looks there in her bridal dress, Her pranks the favorite theme of every tongue. Her hand, with her heart in it, to Francesco. Great was the joy; but at the nuptial feast, And filled his glass to all; but his hand shook, Weary of his life, Donati lived, and long might you have seen Full fifty years were passed, and all forgotten, When, on an idle day, a day of search 'Mid the old lumber in the gallery, That mouldering chest was noticed; and 'twas said With here and there a pearl, an emerald-stone, There, then, had she found a grave! Samuel Rogers. |