Bulletin, Issues 70-71The Museum, 1998 - China |
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Page 177
( 960–1279 ) , when ancestral portraits probably came into use , as it is known that by the eleventh century it had become ... Within Chinese portraiture the ancestral portraits belong to the large category of formal didactive - memorial ...
( 960–1279 ) , when ancestral portraits probably came into use , as it is known that by the eleventh century it had become ... Within Chinese portraiture the ancestral portraits belong to the large category of formal didactive - memorial ...
Page 213
Conclusion The discussion of the general aspects of Chinese ancestral portraits has demonstrated that our present knowledge about these kind of portraits is based on a limited number of sources . Until recently , the study of ancestral ...
Conclusion The discussion of the general aspects of Chinese ancestral portraits has demonstrated that our present knowledge about these kind of portraits is based on a limited number of sources . Until recently , the study of ancestral ...
Page 214
The most important ritual object in the Chinese ancestral cult was alway the spirit - tablet . The ancestral portraits were painted by anonymous professional painters and only seldom were well - known painters commissioned to make ...
The most important ritual object in the Chinese ancestral cult was alway the spirit - tablet . The ancestral portraits were painted by anonymous professional painters and only seldom were well - known painters commissioned to make ...
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abstract accounts ancestral portraits animal Anyang appears Beijing body bone bronze buffalo burial called cannibalism century Chang China Chinese Collection dated death deer described died ding dynasty early eaten emperor evidence example extension face father fell flesh four funeral graph head Henan History horns human hunt identified illustrated imagery imperial included inscriptions jade jade-suit killed king known Lady Late Shang later Liang Liu Yan mask meaning Ming month mother Museum offered officials ordered painted period person pieces placed presented Press references reign religious Report representation represented ritual royal seen severe famine soldiers spirit stones style suggested symbol taotie term thigh tiger tomb University vessel walls Wang Wenwu wife wild Yinxu Yuan Zhou