Rabelais and His World |
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Page 9
The true nature of human festivity was betrayed and distorted . But this true
festive character was indestructible ; it had to be tolerated and even legalized
outside the official sphere and had to be turned over to the popular sphere of the
...
The true nature of human festivity was betrayed and distorted . But this true
festive character was indestructible ; it had to be tolerated and even legalized
outside the official sphere and had to be turned over to the popular sphere of the
...
Page 119
The men of that time well understood Rabelais ' deeply revolutionary spirit , but
they could not offer a new and true interpretation of that spirit . The most important
document related to this subject is Ginguené ' s book published in 1791 ...
The men of that time well understood Rabelais ' deeply revolutionary spirit , but
they could not offer a new and true interpretation of that spirit . The most important
document related to this subject is Ginguené ' s book published in 1791 ...
Page 220
Carnival became the symbol and incarnation of the true folk festival , completely
independent of Church and State but tolerated by them . This was true of the
Roman carnival described by Goethe in his famous sketch in 1788 ; and true also
of ...
Carnival became the symbol and incarnation of the true folk festival , completely
independent of Church and State but tolerated by them . This was true of the
Roman carnival described by Goethe in his famous sketch in 1788 ; and true also
of ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
Two The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine