Rabelais and His World |
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Page 19
The material bodily principle in grotesque realism is offered in its all - popular
festive and utopian aspect . The cosmic , social , and bodily elements are given
here as an indivisible whole . And this whole is gay and gracious . to In grotesque
...
The material bodily principle in grotesque realism is offered in its all - popular
festive and utopian aspect . The cosmic , social , and bodily elements are given
here as an indivisible whole . And this whole is gay and gracious . to In grotesque
...
Page 22
principle was subject to a certain alteration and narrowing . Its universal and
festive character was somewhat weakened . True , this process was still at its
initial stage as can be observed , for instance , in Don Quixote . The fundamental
trend ...
principle was subject to a certain alteration and narrowing . Its universal and
festive character was somewhat weakened . True , this process was still at its
initial stage as can be observed , for instance , in Don Quixote . The fundamental
trend ...
Page 57
All these movements , which according to Burdach prepared the Renaissance ,
expressed the liberating and renewing principle of laughter , even though at
times in an extremely reduced form . But the author completely ignores this
principle ...
All these movements , which according to Burdach prepared the Renaissance ,
expressed the liberating and renewing principle of laughter , even though at
times in an extremely reduced form . But the author completely ignores this
principle ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
Two The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine
References to this book
Bibliographic information
| Title | Rabelais and His World Volume 177 of M.I.T.: Literary criticism Volume 177 of Massachusetts Institute of Technology Cambridge, Mass: MIT paperback series |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин |
| Translated by | Hélène Iswolsky |
| Publisher | M.I.T. Press, 1968 |
| Original from | the University of Michigan |
| Digitized | 8 May 2008 |
| ISBN | 0262055031, 9780262055031 |
| Length | 484 pages |
| Export Citation | BiBTeX EndNote RefMan |