Rabelais and His World |
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Page 195
They are deeply traditional and popular , bringing an atmosphere of freedom ,
frankness , and familiarity . Therefore Rabelais needed them for stylistic purposes
. We have seen their role in the prologues , they helped to create an absolutely ...
They are deeply traditional and popular , bringing an atmosphere of freedom ,
frankness , and familiarity . Therefore Rabelais needed them for stylistic purposes
. We have seen their role in the prologues , they helped to create an absolutely ...
Page 211
This interpretation is not Rabelais ' abstract conception ; it is , so to speak ,
immanent in the traditional popular - festive system of images which he inherited .
He did not create this system , but it rose in him to a higher level of historical ...
This interpretation is not Rabelais ' abstract conception ; it is , so to speak ,
immanent in the traditional popular - festive system of images which he inherited .
He did not create this system , but it rose in him to a higher level of historical ...
Page 429
Rabelais gives a number of characterizations repeating the popular blazons . For
instance , he writes : saoul comme un Anglais ( drunk as an Englishman ) . This
was a persistent blazon of the English ; even in the oldest , thirteenth - century ...
Rabelais gives a number of characterizations repeating the popular blazons . For
instance , he writes : saoul comme un Anglais ( drunk as an Englishman ) . This
was a persistent blazon of the English ; even in the oldest , thirteenth - century ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
Two The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine
References to this book
Bibliographic information
| Title | Rabelais and His World Volume 177 of M.I.T.: Literary criticism Volume 177 of Massachusetts Institute of Technology Cambridge, Mass: MIT paperback series |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин |
| Translated by | Hélène Iswolsky |
| Publisher | M.I.T. Press, 1968 |
| Original from | the University of Michigan |
| Digitized | 8 May 2008 |
| ISBN | 0262055031, 9780262055031 |
| Length | 484 pages |
| Export Citation | BiBTeX EndNote RefMan |