Rabelais and His World |
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Page 36
Discussing grotesque , Flögel does not define or limit the grotesque concept
either from the historic or from the systematic point of view . He attributes to this
genre all that which deviates from the usual aesthetic forms and which sharply ...
Discussing grotesque , Flögel does not define or limit the grotesque concept
either from the historic or from the systematic point of view . He attributes to this
genre all that which deviates from the usual aesthetic forms and which sharply ...
Page 44
first , the Romanticists searched for popular roots ; second , they never attributed
to the grotesque a purely satirical function . Our analysis of this Romantic phase
is , of course , far from complete . Moreover it bears a rather one - sided and even
...
first , the Romanticists searched for popular roots ; second , they never attributed
to the grotesque a purely satirical function . Our analysis of this Romantic phase
is , of course , far from complete . Moreover it bears a rather one - sided and even
...
Page 306
In the example of grotesque the object of mockery is a specific negative
phenomenon , something that “ should not exist ” ( nichtseinsollendes ) .
Schneegans sees precisely in this fact the basic nature of the grotesque : it
exaggerates and ...
In the example of grotesque the object of mockery is a specific negative
phenomenon , something that “ should not exist ” ( nichtseinsollendes ) .
Schneegans sees precisely in this fact the basic nature of the grotesque : it
exaggerates and ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
Two The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine
References to this book
Bibliographic information
| Title | Rabelais and His World Volume 177 of M.I.T.: Literary criticism Volume 177 of Massachusetts Institute of Technology Cambridge, Mass: MIT paperback series |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин |
| Translated by | Hélène Iswolsky |
| Publisher | M.I.T. Press, 1968 |
| Original from | the University of Michigan |
| Digitized | 8 May 2008 |
| ISBN | 0262055031, 9780262055031 |
| Length | 484 pages |
| Export Citation | BiBTeX EndNote RefMan |