Rabelais and His World |
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Page 133
Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин. he sees and
appreciates in Rabelais ' novel only that which can be understood and
interpreted on that serious level . That which is essential , the true Rabelais ,
remains outside his ...
Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин. he sees and
appreciates in Rabelais ' novel only that which can be understood and
interpreted on that serious level . That which is essential , the true Rabelais ,
remains outside his ...
Page 139
In this respect , Thélème is not in line with Rabelais ' imagery and style .
Veselovsky ' s interpretation largely determined the treatment of Rabelais in our
university courses almost until our time . Until World War II Soviet literary critics
did not ...
In this respect , Thélème is not in line with Rabelais ' imagery and style .
Veselovsky ' s interpretation largely determined the treatment of Rabelais in our
university courses almost until our time . Until World War II Soviet literary critics
did not ...
Page
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LibraryThing Review
User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
LibraryThing Review
User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
Two The Language of the Marketplace in Rabelais | 145 |
Copyright | |
1 other sections not shown
Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine