Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 81
... strings run between the rod and the sound board . The strings form a plane perpendicular to the plane of the sound board . Lyres also have a sound box , but two arms protrude above it and a yoke connects them . The strings run between ...
... strings run between the rod and the sound board . The strings form a plane perpendicular to the plane of the sound board . Lyres also have a sound box , but two arms protrude above it and a yoke connects them . The strings run between ...
Page 82
... strings , less than a half - dozen . Around 1900 BCE the vertical angular harp was introduced in Mesopotamia ( figure 3a ) . The angular harp had a large number of strings , 13 and we might view it as more " efficient " than the arched ...
... strings , less than a half - dozen . Around 1900 BCE the vertical angular harp was introduced in Mesopotamia ( figure 3a ) . The angular harp had a large number of strings , 13 and we might view it as more " efficient " than the arched ...
Page 95
... strings were suspended high above the fingerboard and would have broken if pressed all the way down.92 Yi's instrument could only have played open strings , and that — of course - was also the playing technique of steppe harps . Neither ...
... strings were suspended high above the fingerboard and would have broken if pressed all the way down.92 Yi's instrument could only have played open strings , and that — of course - was also the playing technique of steppe harps . Neither ...
Contents
Editors Introduction | 5 |
Qijia and SeimaTurbino The Question of Early Contacts | 31 |
The Qijia Culture Paths East and West | 55 |
Copyright | |
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