Romancing the Shadow: Poe and RaceJ. Gerald Kennedy, Liliane Weissberg The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness--like his participation in the cultural construction of whiteness--was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants--his Jupiters and Pompeys--cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work--and the diverse conclusions that can be drawn therefrom. |
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Page x
... Poems . Vol . 2 : Tales and Sketches , 1831–1842 . Vol . 3 : Tales and Sketches , 1843-1849 . Works The Complete Works of Edgar Allan Poe . Ed . James A. Harrison . 17 vols . New York : Kelmscott Society , 1902 . 1 . wouls aju ) no ...
... Poems . Vol . 2 : Tales and Sketches , 1831–1842 . Vol . 3 : Tales and Sketches , 1843-1849 . Works The Complete Works of Edgar Allan Poe . Ed . James A. Harrison . 17 vols . New York : Kelmscott Society , 1902 . 1 . wouls aju ) no ...
Page xiii
... poems ) depict not native scenes but the fantastic , half- remembered landscape of the England he had seen in childhood . Per- haps not coincidentally , Poe has won greater acclaim in Europe , where readers and critics have either ...
... poems ) depict not native scenes but the fantastic , half- remembered landscape of the England he had seen in childhood . Per- haps not coincidentally , Poe has won greater acclaim in Europe , where readers and critics have either ...
Page xvi
... poem " The Raven . " In a subtle reading that relates the poem's im- agery to the racial discourse of the era , she xvi ROMANCING THE SHADOW.
... poem " The Raven . " In a subtle reading that relates the poem's im- agery to the racial discourse of the era , she xvi ROMANCING THE SHADOW.
Page xvii
... poem as popular as " The Raven " is far from innocent in regard to racial prejudice and anxiety . Erkkila sees Poe supporting dominant Southern views on slavery , as he pictures a universe colored in black and white , and Rowe discovers ...
... poem as popular as " The Raven " is far from innocent in regard to racial prejudice and anxiety . Erkkila sees Poe supporting dominant Southern views on slavery , as he pictures a universe colored in black and white , and Rowe discovers ...
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Contents
1 Average Racism | 3 |
2 The Poetics of Whiteness | 41 |
3 Edgar Allan Poes Imperial Fantasy and the American Frontier | 75 |
4 Poe Persons and Property | 106 |
5 Black White and Gold | 127 |
6 Presence of Mind | 157 |
7 The Murders in the Rue Morgue | 177 |
8 Poes Philosophy of Amalgamation | 205 |
9 Trust No Man | 225 |
259 | |
Contributors | 277 |
279 | |
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