English Churches: Mr. Bond's Books

An Introduction to English Church Architecture, from the eleventh to the sixteenth century, by F. BOND. 1913. 2 vols., with 1400 illustrations, glossaries, &c. 4to (12 x 10), pp. xxxvi + 486 and vi+986. 50s. net. Oxford University Press, London.

Church Art in England Series

8vo (9 × 53), richly illustrated, with Bibliographies and Indexes

The Chancel of English Churches.

The Altar, Reredos, Lenten Veil, Communion Table, Altar Rails, Houseling Cloth, Piscina, Credence, Sedilia, Aumbry, Sacrament House, Easter Sepulchre, Squint, &c. By FRANCIS BOND. 1916. Pp. 284, 229 illustrations. 9s. net. Oxford University Press, London. Screens and Galleries in English Churches. By FRANCIS BOND. 1908. Pp. xii+ 192, with 152 photographs and measured drawings. Out of print.

Oxford University Press, London.
By FRANCIS BOND. 1908.

Fonts and Font Covers in English Churches.
Pp. xiii+348, with 426 photographs and drawings. 15s. net.

Oxford University Press, London.

Wood Carvings in English Churches. By FRANCIS BOND. 1910. I. Misericords.

With 241 photographs and drawings. Pp. xx+238. Work, Bishops' Thrones and Chancel Chairs. 1910. and measured drawings. 7s. 6d. net.

9s. net. II. Stall and Tabernacle Pp. xvi + 138, with 124 photographs Oxford University Press, London.

Dedications and Patron Saints of English Churches; Ecclesiastical Symbolism,
Saints, and their Emblems. By FRANCIS BOND. 1914. Pp. 360, with 252 illustra-
tions. 9s. net.
Oxford University Press, London.
Pulpits, Lecterns, and Organs in English Churches. By J. CHARLES COX.
Oxford University Press, London.
Church Bells of England, by H. B. WALTERS. 1912. Pp. 406, with 170 photo-
graphs and drawings, Bibliography, appendix, and indexes. 9s. net.

Pp. 240, with 155 illustrations. 9s. net.

Oxford University Press, London. Bench-Ends in English Churches. By J. C. COX. 1917. 8vo (9x52), pp. viii+ Oxford University Press, London.

208, with 164 illustrations. 9s. net.

Westminster Abbey, by FRANCIS BOND. 1909. 8vo, pp. xvi, 332, with 270 photo-
graphs, and other illustrations. 12s. 6d. net.
Oxford University Press, London.
Visitors' Guide to Westminster Abbey, being the 18th and part of the 19th
Chapters of the above, dealing principally with monuments, &c., in the church and cloisters.
Second edition, 1916, with twelve plans and thirty-six photographic and other illustrations.
Fcap 8vo (6 × 4), pp. 94. Paper cover, 1s. 6d. net. Oxford University Press, London.

A Romanesque Relief in York Minster. By ERIC MACLAGAN. 1923. (From the Proceedings of the British Academy, Vol. XI.) Royal 8vo (92 × 61), pp. 8, with frontispiece and one illustration. Paper cover, 1s. net. British Academy.

The Protection of our English Churches. Report for 1923 of the

Central Committee for the Protection of Churches. With an Account of the Diocesan
Advisory Committees and their Work. 1923. 8vo (8×51), pp. 70, with 8 plates.
Paper cover, 2s. net.
Oxford University Press, London.

My Lord, my Love, was

fied;

the pains

From THE YATTENDON HYMNAL.

Music

Oxford History of Music, edited by W. H. HADOW. Six volumes, 1901-5. 8vo (9x6), cloth, the sides decorated with Fell ornament. £5 net; separately, 17s. 6d. net each volume. 'Methods of Art are the product of the patient labour of generations (Sir HUBERT PARRY'S Preface), and this is not a collection of biographies, but a history which deals with the art rather than the artist', with origins, tendencies, and evolution.

·

Vol. I. The Polyphonic Period, Part I, by H. E. WOOLDRIDGE. The

Nature and Origin of Polyphony, Greek Music, Organum or Diaphony, The New Organum, Discant. 1901. Pp. 404, with many musical examples.

Vol. II. The Polyphonic Period, Part II, The Method of Musical Art, 13001600, by H. E. WOOLDRIDGE. First Development of Polyphony, Formation of Schools, Netherland School, English School, Perfection of the Method (Palestrina). 1905. Pp. 416, with musical examples and index to Vols. I and II.

Vol. III. The Seventeenth Century, by Sir HUBERT PARRY. Antecedents, Initiatives, Links between the Old and the New, New Principles, Signs of Change, French Influence, English Music after the Commonwealth, Foundations of Modern Instrumental Music, Italian Art, The Beginning of German Music. 1902. Pp. 482, with musical examples and index.

Vol. IV. The Age of Bach and Handel, by J. A. FULLER-MAIT

LAND. Chorale, Cantata, Passion Music, Latin Church Music, Oratorio, Organ and Harpsichord, Orchestra, Growth of Form, Virtuosity, Operatic Convention, Music in Germany, Italy, France, England. 1902. Pp. 376, with musical examples and index. Vol. V. The Viennese Period, by W. H. HADOW. General Conditions of Taste in the Eighteenth Century, Instruments, Styles, Opera, Oratorio, Instrumental Forms (five chapters ending with Beethoven), Song. 1904. Pp. 358, with musical examples and index.

Vol. VI. The Romantic Period, by E. DANNREUTHER, completed and
seen through the press by the General Editor. Romanticism, Romantic Opera in
Germany, Paris, and Italy, Comic Opera, Overtures and Symphonies, Oratorios and
Cantatas, Religious, Chamber, and Pianoforte Music, Solo Songs, Various other works,
Operas of Wagner, Musicians as Writers on Music, Survey and Conclusion. 1905.
Pp. 382, with copious musical examples and index.
At the Clarendon Press.

A History of Music in England, by E. WALKER. 1907. Reprinting.
The Growth of Music, a Study in Musical History for Schools, by H. C. COLLES,
with many musical examples. Three volumes, crown 8vo (71⁄2 × 51), 3s. 6d. net each. In
one volume, 10s. 6d. net.

Part I, From the Troubadours to J. S. Bach. 1912. Pp. 160, with a map. Part_II, From Bach to Beethoven. 1913. Pp. 176. Part III, The Ideals of the Nineteenth Century. 1916. Pp. 196.

At the Clarendon Press.

HORACE FELLOWES.

At the Clarendon Press.

The English Madrigal Composers, by EDMUND
1921. 8vo (9 x 6), pp. 364. Cloth gilt. 18s. net.
English Madrigal Verse, edited by E. H. FELLOWES. See p. 161.
William Byrd, by E. H. FELLOWES. See p. 15.

William Byrd, 1623-1923, by Sir W. HENRY HADOW. See p. 15.
Catalogue of MS. Music in the British Museum, by A. HUGHES-HUGHES.

Vol. I, Sacred Vocal Music, 1906, 8vo, 21s. net. Vol. II, Secular Vocal Music, 1908, 8vo, 35s. net. Vol. III, Instrumental Music, Treatises, &c. 1909, 8vo, 21s. net. Or the three volumes, 73s. 6d. net. British Museum.

Catalogue of printed Music published 1487-1800, now in the British Museum, by W. BARCLAỸ SQUIRE. 1912. Two volumes. 8vo. 63s. net.

British Museum.

Catalogue of Music in the Library of Christ Church, Oxford. By G. E. P. ARKWRIGHT, with a Preface by T. B. STRONG. Part I. 1915. 8vo (83 × 53), pp. 140. 7s. 6d. net. Part II. MS. Works of Unknown Authorship. (i) Vocal. 1923. 8vo (10 × 7), pp. xxxii+182. 21s. net.

Catalogue of Printed Music Published Prior
Church, Oxford, edited by ALOYS HIFF. 1919.

Oxford University Press, London. to 1801 now in the Library of Christ (9×53), pp. iv + 76. 7s. 6d. net.

Oxford University Press, London.

Musical Manuscripts, a Study Set (no. x) of fifteen pictorial Post Cards. 1s.6d.net.

Sumer is i-cumen in, about 1240. Purcell's Golden Sonata, 1683. The National Anthem, version by Dr. Arne, 1745. The Chough and Crow, by Sir Henry Bishop, 1816. Yankee Doodle, introduced by Charles Dibdin, 1780. God is our refuge, by Mozart, 1765. The Heav'ns are telling, from Haydn's Creation, 1798. Theme from Harold en Italie, by Berlioz, 1834. Double Concerto in Bb, by Handel, 1741. Prelude in Eb, by Bach, 1744. Pastoral Symphony, by Beethoven, 1808. Rienzi, by Wagner, 1839. Christus, oratorio by Liszt, 1863-66. La Traviata, by Verdi, 1853. Russian National Anthem, by Alexis de Lwoff, 1858. British Museum.

The Harmonics of Aristoxenus, the Greek text, edited with translation, notes, introduction on Greek Music (85 pages) and Aristoxenus (8 pages), and index of words, by H. S. MACRAN. 1902. Crown 8vo (72 × 51), pp. 304, with twenty-four tables and other musical illustrations. 12s. 6d. net. At the Clarendon Press.

Publications de la Faculté des Lettres de l'Université de Strasbourg L'Art du Chant en France au XVIIe Siècle, par THÉODORE GÉROLD. 1921. (Fascicule 1.) 8vo (10 × 64), pp. xvi + 278. 15s. net. Oxford University Press, London. Le Manuscrit de Bayeux. Texte et Musique d'un Recueil de Chansons du XVe Siècle, par THÉODORE GÉROLD. 1921. (Fascicule 2.) 8vo (10 × 61⁄2), pp. lvi + 128, with facsimile. 7s. net. Oxford University Press, London.

The Natural History of the Musical Bow, Part I. Primitive Types. By HENRY BALFOUR. 1899. Royal 8vo (10 × 6), pp. 96, with sixty-one illustrations and a map. Paper cover, 4s. 6d. net. At the Clarendon Press. 1914. 8vo (9 × 6),

The Music of Hindostan, by A. H. FOX-STRANGWAYS.

pp. 376, with fourteen plates, two tables, a portrait of Rabindranath Tagore, numerous musical examples, and appendixes, glossary, and index. 21s. net. At the Clarendon Press. The Music of India. By HERBERT A. POPLEY. 1921. Crown 8vo (71⁄2 ×5), pp. x + 174, with 12 illustrations. Oxford University Press, London.

5s. net.

Treatises

At the Clarendon Press.

Style in Musical Art, being Sir HUBERT PARRY'S Inaugural Lecture (1900).
8vo (9×6), paper cover, pp. 24. 1s. net.
The Consort of Music, a Study of Interpretation and Ensemble, by J. A. FULLER-
MAITLAND. 1915. 8vo (9 × 6), pp. 250, with forty-two examples. 7s. 6d. net.
At the Clarendon Press.

Contrapuntal Technique in the Sixteenth Century. By R. O. MORRIS. 1922.
Royal 8vo (10 × 74), pp. xii + 74, and 50 pp. of examples of music. 8s. 6d. net.
At the Clarendon Press.
The Evolution of Harmony, by C. H. KITSON. 1914. A treatise on the
material of musical composition, its gradual growth and elementary use. Crown 8vo
(82 × 51), pp. 488, with numerous musical examples and exercises and indexes. 12s. 6d. net.
At the Clarendon Press.
The Art of Counterpoint and its Application as a Decorative Principle.
C. H. KITSON. 1907. Crown 8vo (73 × 51⁄2), pp. 360, with musical examples and indexes.
At the Clarendon Press.

10s. net.

At the Clarendon Press.

Applied Strict Counterpoint, by C. H. KITSON. 1916. Crown 8vo (72 × 51),
pp. 100, with musical exercises and examples. 5s. net.
Studies in Fugue, by C. H. KITSON. 1909.
Crown 8vo (72×51), pp. 104. 5s. net.

With musical examples and index.
At the Clarendon Press.

Elementary Harmony, by C. H. KITSON. 1920. pp. vi + 106. 3s. 6d. net. Part II, pp. 106. 3s. 6d. net.

Crown 8vo (7x5). Part I, Part III, pp. 94. 3s. 6d. net. At the Clarendon Press.

Unfigured Harmony: A Short Treatise on Modulation, Harmonization of Melodies, Unfigured Basses, Inner Melodies, Canons and Ground Basses, by P. C. BUCK. Second edition. 1920. 8vo (83 × 52), pp. 174. X 7s. 6d. net. At the Clarendon Press. Acoustics for Musicians, by P. C. BUCK. 1918. Demy 8vo (83x51). Pp. 152, with tables, and 68 figures in the text. 7s. 6d. net.

At the Clarendon Press.

A Chart of the Rules of Harmony, by A. SOMERVELL. 1902. Large Post 4to (10×81). 1s. 3d. net.

A Chart of the Rules of Counterpoint, by the same.

At the Clarendon Press.

1903. Large Post 4to At the Clarendon Press.

(10×8). 1s. 3d. net. Music as a Language: Lectures to Music Students by E. HOME. 1916. Crown 8vo (74 × 51), pp. 82. 3s. 6d. net.

Older Treatises

At the Clarendon Press.

Harmony, by the Rev. Sir F. A. GORE OUSELEY. Third edition, 1888. With musical exercises, examples, &c. Crown 4to (9 × 73), pp. 286. 10s. net. At the Clarendon Press. Counterpoint, Canon, and Fugue, based upon Cherubini, by the same. Second edition, 1880. Crown 4to (9x73), pp. 408. 16s. net.

At the Clarendon Press.
Second edition,

Musical Form and General Composition, by the same.

1886. Crown 4to (9×73), pp. 164. 10s. net.

At the Clarendon Press.

Cultivation of the Speaking Voice, by JOHN HULLAH.

Second edition,

1884. With six tables. Extra fcap 8vo (6 × 41⁄2), pp. 72. 2s. 6d. net. At the Clarendon Press. Music Primer, by J. TROUTBECK and R. F. DALE. Second edition, 1898. Crown 8vo (7×5), pp. 56. 1s. 9d. net.

At the Clarendon Press.

Beethoven, by W. H. HADOW. Henriette Hertz Lecture. Pp. 24. 1s. 6d. net. British Academy. The Needs of Popular Musical Education, by Sir W. H. HADOW. Foreword by H. A. L. FISHER. 1918. 8vo (83 × 54), pp. 12. 1s. net. Oxford University Press, London. Musica Antiquata, being Essays in Modal Composition, by H. E. WOOLDRIDGE and G. E. P. ARKWRIGHT. In four parts. 1907-1913. Imp. 8vo (103 × 7). Part I, pp. 38. Part II, pp. 36. Part III, pp. 52. Part IV, 1913, pp. 70. 2s. net each. Oxford University Press, London.

Oxford Musical Essays

An Essay on Modern Unaccompanied Song. By HERBERT BEDFORD. 1923. 8vo (7×5), pp. 60, with two graphs and several musical specimens. 3s. 6d. net. Oxford University Press, London. The Bel Canto. With Particular Reference to the Singing of Mozart. By HER8vo (7×5), pp. 54. 3s. 6d. net.

MAN KLEIN. 1923.

Oxford University Press, London.

Books by Mr. Percy Scholes

The Listener's History of Music. A Book for any Concert-goer, Pianolist, or Gramophonist; Providing also a Course of Study for Adult Classes in the Appreciation of Music. By PERCY A. SCHOLES. In two volumes. Volume I, To Beethoven. 1923. Crown 8vo (71× 5), pp. xiv +190, with fourteen illustrations. 6s. net.

Oxford University Press, London. The Listener's Guide to Music, with a Concert-goer's Glossary, by PERCY A. SCHOLES. With an Introduction by Sir W. HENRY HADOW. Fifth edition, 1922. Crown 8vo (7×5), pp. xii + 106, with four illustrations. Cloth, 4s. net; paper boards, 3s. 6d. net. Oxford University Press, London.