Literary Disruptions: The Making of a Post-contemporary American Fiction |
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Page 83
... Kosinski's aim was always to be a fictionist . " First , when I saw myself as a sociologist , as a social sci- entist , " he has said , " I assumed that I was already ... Kosinski preferred . " Now a darkroom became a Jerzy Kosinski 83 FOUR.
... Kosinski's aim was always to be a fictionist . " First , when I saw myself as a sociologist , as a social sci- entist , " he has said , " I assumed that I was already ... Kosinski preferred . " Now a darkroom became a Jerzy Kosinski 83 FOUR.
Page 95
... Kosinski's first book of sociology was subtitled " Conversa- tions with the Russians " ; it and No Third Path drew their form from the author's admittedly subjective and impressionistic " sketches " of " the style of ... Jerzy Kosinski 95.
... Kosinski's first book of sociology was subtitled " Conversa- tions with the Russians " ; it and No Third Path drew their form from the author's admittedly subjective and impressionistic " sketches " of " the style of ... Jerzy Kosinski 95.
Page 220
... Jerzy Kosinski . " Paris Review # 54 ( Summer , 1972 ) , pp . 183-207 . Sheppard , R. Z. " Playing It by Eye . " Time , 97 ( April 26 , 1971 ) , 93 . Tartikoff , Brandon . " Exclusive Interview : Jerzy Kosinski . " Metropolitan Review ...
... Jerzy Kosinski . " Paris Review # 54 ( Summer , 1972 ) , pp . 183-207 . Sheppard , R. Z. " Playing It by Eye . " Time , 97 ( April 26 , 1971 ) , 93 . Tartikoff , Brandon . " Exclusive Interview : Jerzy Kosinski . " Metropolitan Review ...
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