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Page 160
So much for digression : it is now important to define what exactly is meant by
stylistic patterns in the material record . Stylistic patterns are the observable
transformations of form whose systematics act to both conventionalise and
distinguish .
So much for digression : it is now important to define what exactly is meant by
stylistic patterns in the material record . Stylistic patterns are the observable
transformations of form whose systematics act to both conventionalise and
distinguish .
Page 162
I do fully admit that function does limit the possible range of stylistic variability (
Sackett 1982 ) . ... of prehistoric material culture , but furthermore that the
character ( stylistics ) of the artefacts inform on the relationships within material
culture .
I do fully admit that function does limit the possible range of stylistic variability (
Sackett 1982 ) . ... of prehistoric material culture , but furthermore that the
character ( stylistics ) of the artefacts inform on the relationships within material
culture .
Page 201
When looking at the effects of the apprenticeship system on stylistic change and
continuity , the study showed that there was little if any stylistic continuity between
a master and his apprentices . An interesting example of this is James Gould ...
When looking at the effects of the apprenticeship system on stylistic change and
continuity , the study showed that there was little if any stylistic continuity between
a master and his apprentices . An interesting example of this is James Gould ...
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activity aesthetic analysis applied approach Archaeology areas artefacts artist authors basis Bronze Age Cambridge century ceramic Clarke communication comparative complex concern considered dealing decoration descriptive design system determine discussion economy elements Europe example explain Figure function geometric Gombrich Greek human ideas ideology images important individual interest interpretation involved issues Italy kind Late limited logic London material culture means measure method motifs nature Neolithic objects observable organisation original painting particular pattern perhaps period picture possible pottery prehistoric present Press production publishing questions record reference reflect region relationship represent representation Review rock schist plaques seen sense shape similar simply social society South space specific structure style stylistic suggest symbolism theory things traditional types understanding University University Press