Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 159
... style or stylistic variability . Again archaeology seems to be applying a concept without knowing what that concept is . We do not know if by style we mean art ( Leroi - Gourhan 1957 ) , the range of functional choices ( Sackett 1982 ) ...
... style or stylistic variability . Again archaeology seems to be applying a concept without knowing what that concept is . We do not know if by style we mean art ( Leroi - Gourhan 1957 ) , the range of functional choices ( Sackett 1982 ) ...
Page 198
... style . Sackett's definition has its limitations . It will never produce a general model of style because it cannot explain why particular objects look the way they do , nor why styles themselves change . It also emphasises the ...
... style . Sackett's definition has its limitations . It will never produce a general model of style because it cannot explain why particular objects look the way they do , nor why styles themselves change . It also emphasises the ...
Page 204
... styles change . The evidence from the eighteenth - century regarding stylistic change suggests that much of this explanation lies outside the realm of aesthetic theory . The contemporary literary sources show that the changes in style ...
... styles change . The evidence from the eighteenth - century regarding stylistic change suggests that much of this explanation lies outside the realm of aesthetic theory . The contemporary literary sources show that the changes in style ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst