Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 156
... simply that the harrow has its cross - bars below and the sledge its runners below . Working out identifications by this method , establishing congruences of geometry between the picture and the object depicted , under inferred rules of ...
... simply that the harrow has its cross - bars below and the sledge its runners below . Working out identifications by this method , establishing congruences of geometry between the picture and the object depicted , under inferred rules of ...
Page 212
... simply be reversed in order to provide an explanation for the reversal of the trend towards realism . It is more fundamentally that Gombrich's failure ( both here and with modern non - figurative art ) to deal with what for him must be ...
... simply be reversed in order to provide an explanation for the reversal of the trend towards realism . It is more fundamentally that Gombrich's failure ( both here and with modern non - figurative art ) to deal with what for him must be ...
Page 243
... simply to create large painting with the use of a unfamiliar materials that bore some resemblance to those used by the palaeolithic artists . A large area of wall was covered by card and made to look like rock with roughly applied glue ...
... simply to create large painting with the use of a unfamiliar materials that bore some resemblance to those used by the palaeolithic artists . A large area of wall was covered by card and made to look like rock with roughly applied glue ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst