From inside the book
Results 1-3 of 26
Page 152
A first use for this measure of order , information and complexity is to judge how
significant are similarities of shape between different figures . ... These are the
kind of loose shapes that are ubiquitous to rock - art , whatever its time and place
.
A first use for this measure of order , information and complexity is to judge how
significant are similarities of shape between different figures . ... These are the
kind of loose shapes that are ubiquitous to rock - art , whatever its time and place
.
Page 154
A simulation method with a random element demonstrates that a number of horn
- shapes with good geometric order will arise ... We can start with Figure 1B , a
halberd , ' identifiable because it is the same shape as the physical object .
A simulation method with a random element demonstrates that a number of horn
- shapes with good geometric order will arise ... We can start with Figure 1B , a
halberd , ' identifiable because it is the same shape as the physical object .
Page 156
Instead of the plough - shaft and ard there is a different shape , a set of lines
parallel to the yoke , and joined to it by a pair of diverging , converging , or
parallel lines . Applying the same logic as was used for the plough , we may
deduce that it ...
Instead of the plough - shaft and ard there is a different shape , a set of lines
parallel to the yoke , and joined to it by a pair of diverging , converging , or
parallel lines . Applying the same logic as was used for the plough , we may
deduce that it ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
activity aesthetic analysis applied approach Archaeology areas artefacts artist authors basis Bronze Age Cambridge century ceramic Clarke communication comparative complex concern considered dealing decoration descriptive design system determine discussion economy elements Europe example explain Figure function geometric Gombrich Greek human ideas ideology images important individual interest interpretation involved issues Italy kind Late limited logic London material culture means measure method motifs nature Neolithic objects observable organisation original painting particular pattern perhaps period picture possible pottery prehistoric present Press production publishing questions record reference reflect region relationship represent representation Review rock schist plaques seen sense shape similar simply social society South space specific structure style stylistic suggest symbolism theory things traditional types understanding University University Press