Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 145
... pictures of anything , did ' Megalithic Art ' stop being art ? I do not think so . And what did not change was its design , that is , the systematic patterning and internal order in its shapes . If we are strict , even the a picture is ...
... pictures of anything , did ' Megalithic Art ' stop being art ? I do not think so . And what did not change was its design , that is , the systematic patterning and internal order in its shapes . If we are strict , even the a picture is ...
Page 146
... pictures of imaginary , planned , or wished - for halberds . Does the representation of a fantasy halberd of imaginary form count as a prehistoric picture ? oxen , Again , many of the cornus , the horned figures we believe to depict ...
... pictures of imaginary , planned , or wished - for halberds . Does the representation of a fantasy halberd of imaginary form count as a prehistoric picture ? oxen , Again , many of the cornus , the horned figures we believe to depict ...
Page 156
... picture and the object depicted , under inferred rules of depiction , is productive for Mont Bégo , as it has been elsewhere . John Clegg ( 1981 ) uses it to particular effect in identifying the animals depicted in prehistoric ...
... picture and the object depicted , under inferred rules of depiction , is productive for Mont Bégo , as it has been elsewhere . John Clegg ( 1981 ) uses it to particular effect in identifying the animals depicted in prehistoric ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst