From inside the book
Results 1-3 of 24
Page 138
These difficulties have led archaeologists in two , perhaps three , directions :
either to reject stylistic questions out of hand , as uninteresting and perhaps
unanswerable ; to continue to interpret in a subjective way , without perhaps
caring too ...
These difficulties have led archaeologists in two , perhaps three , directions :
either to reject stylistic questions out of hand , as uninteresting and perhaps
unanswerable ; to continue to interpret in a subjective way , without perhaps
caring too ...
Page 156
Perhaps , but any identification of such a simple geometric shape as a picture of
a simply shaped object is uncertain , because of the limited order ( information )
the shape conveys . In the same manner , the crossed circle ( Figure 1G ) may be
...
Perhaps , but any identification of such a simple geometric shape as a picture of
a simply shaped object is uncertain , because of the limited order ( information )
the shape conveys . In the same manner , the crossed circle ( Figure 1G ) may be
...
Page 176
Perhaps also we are nearer to understanding what was specific and distinctive
about the relationship between social and stylistic change in the earlier and
middle Neolithic of Southern Sweden . no Yet it is not in the interpretations , but in
the ...
Perhaps also we are nearer to understanding what was specific and distinctive
about the relationship between social and stylistic change in the earlier and
middle Neolithic of Southern Sweden . no Yet it is not in the interpretations , but in
the ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
activity aesthetic analysis applied approach Archaeology areas artefacts artist authors basis Bronze Age Cambridge century ceramic Clarke communication comparative complex concern considered dealing decoration descriptive design system determine discussion economy elements Europe example explain Figure function geometric Gombrich Greek human ideas ideology images important individual interest interpretation involved issues Italy kind Late limited logic London material culture means measure method motifs nature Neolithic objects observable organisation original painting particular pattern perhaps period picture possible pottery prehistoric present Press production publishing questions record reference reflect region relationship represent representation Review rock schist plaques seen sense shape similar simply social society South space specific structure style stylistic suggest symbolism theory things traditional types understanding University University Press