Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 241
... painting . Interspersed with these were short pieces of more formal writing about cave art and their associated work . The first activity was a slide show and discussion in which the children were shown a wide variety of paint- ings ...
... painting . Interspersed with these were short pieces of more formal writing about cave art and their associated work . The first activity was a slide show and discussion in which the children were shown a wide variety of paint- ings ...
Page 242
... painted in the deep underground sancturies , proved to cover many of those held by learned academics . The ir ideas were many and varied . For instance , they suggested the paintings were made because : the people were bored , they ...
... painted in the deep underground sancturies , proved to cover many of those held by learned academics . The ir ideas were many and varied . For instance , they suggested the paintings were made because : the people were bored , they ...
Page 243
... painting which was loosely based on the spotted horses from Peche Merle . The aim was simply to create large painting with the use of a unfamiliar materials that bore some resemblance to those used by the palaeolithic artists . A large ...
... painting which was loosely based on the spotted horses from Peche Merle . The aim was simply to create large painting with the use of a unfamiliar materials that bore some resemblance to those used by the palaeolithic artists . A large ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst