Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 160
... observable transformations of form whose systematics act to both conventionalise and distinguish . Since it is the stylistic patterns that distinguish and conventionalise , it is these patterns , and how we deal with them , that form ...
... observable transformations of form whose systematics act to both conventionalise and distinguish . Since it is the stylistic patterns that distinguish and conventionalise , it is these patterns , and how we deal with them , that form ...
Page 161
... observable characteristics of a particular material used . The shift from naturally arsenical coppers to arsenic or tin alloyed bronzes , or a complete replacement of one material by another , such as the replacement of flint axes by ...
... observable characteristics of a particular material used . The shift from naturally arsenical coppers to arsenic or tin alloyed bronzes , or a complete replacement of one material by another , such as the replacement of flint axes by ...
Page 185
... observable in the archaeological record , especially in those areas where choice apparently appertains solely to human whim , and yet where this freedom is never fully taken ( as is the case with style ) and most particularly with ...
... observable in the archaeological record , especially in those areas where choice apparently appertains solely to human whim , and yet where this freedom is never fully taken ( as is the case with style ) and most particularly with ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst