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Page 150
The order varies in its nature and degree . A really fancy figure ( looks like ' fine
art ' ) has lots of order . A really scrappy figure ( is it art at all ? ) has vanishingly
little . The common ' sense of order : 4 unites all these figures as art . The different
...
The order varies in its nature and degree . A really fancy figure ( looks like ' fine
art ' ) has lots of order . A really scrappy figure ( is it art at all ? ) has vanishingly
little . The common ' sense of order : 4 unites all these figures as art . The different
...
Page 159
Nowhere is the concept of style considered shorn of its ideological or typological
assumptions . Nor is the potential of style considered in view of the nature of the
prehistoric record . This paper attempts to deal with both . Before diving into this ...
Nowhere is the concept of style considered shorn of its ideological or typological
assumptions . Nor is the potential of style considered in view of the nature of the
prehistoric record . This paper attempts to deal with both . Before diving into this ...
Page 177
Common Ground of Human Experience in the Natural World One characteristic
we must share with the people of prehistoric societies ... Humanity and its
products are a part of nature , and we respond to the natural world in a sensual
fashion .
Common Ground of Human Experience in the Natural World One characteristic
we must share with the people of prehistoric societies ... Humanity and its
products are a part of nature , and we respond to the natural world in a sensual
fashion .
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activity aesthetic analysis applied approach Archaeology areas artefacts artist authors basis Bronze Age Cambridge century ceramic Clarke communication comparative complex concern considered dealing decoration descriptive design system determine discussion economy elements Europe example explain Figure function geometric Gombrich Greek human ideas ideology images important individual interest interpretation involved issues Italy kind Late limited logic London material culture means measure method motifs nature Neolithic objects observable organisation original painting particular pattern perhaps period picture possible pottery prehistoric present Press production publishing questions record reference reflect region relationship represent representation Review rock schist plaques seen sense shape similar simply social society South space specific structure style stylistic suggest symbolism theory things traditional types understanding University University Press