Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 139
... means we have adopted to interpret it . Aesthetics is the ' middle - range ' of archaeological epistemology . Style is something different , an imprecise but , for archaeologists , an indispensable concept . It would be a commonplace to ...
... means we have adopted to interpret it . Aesthetics is the ' middle - range ' of archaeological epistemology . Style is something different , an imprecise but , for archaeologists , an indispensable concept . It would be a commonplace to ...
Page 223
... mean that cereal cultivation was less frequent there , but nevertheless it did occur . This probably means that the relationship between economy and ideology was expressed in some other way . In Scania , Halland and Denmark there are no ...
... mean that cereal cultivation was less frequent there , but nevertheless it did occur . This probably means that the relationship between economy and ideology was expressed in some other way . In Scania , Halland and Denmark there are no ...
Page 249
... means . It is one thing to write that Stonehenge reflects the thoughts of those who view it ( that point was made , in any event , by Jacquetta Hawkes nearly two decades ago ) and another thing to explain it . Stonehenge Complete offers ...
... means . It is one thing to write that Stonehenge reflects the thoughts of those who view it ( that point was made , in any event , by Jacquetta Hawkes nearly two decades ago ) and another thing to explain it . Stonehenge Complete offers ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst