Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 153
... line . Figure 1G may be seen as a rough circle with two rough diameters roughly at right angles , or as a complex curve with complex curved chords . The linear forms in figures may be treated as lines of nominal width , or bands whose ...
... line . Figure 1G may be seen as a rough circle with two rough diameters roughly at right angles , or as a complex curve with complex curved chords . The linear forms in figures may be treated as lines of nominal width , or bands whose ...
Page 156
... lines parallel to the yoke , and joined to it by a pair of diverging , converging , or parallel lines . Applying the same logic as was used for the plough , we may deduce that it is an object pulled by oxen , which has this shape when ...
... lines parallel to the yoke , and joined to it by a pair of diverging , converging , or parallel lines . Applying the same logic as was used for the plough , we may deduce that it is an object pulled by oxen , which has this shape when ...
Page 191
... lines to make them under- standable as human schema . This contrasts with the horror vacui characteristic of the designs on the schist plaques ) . Again , in contrast to rigid , straight lines on the schist plaques , curvilinear lines ...
... lines to make them under- standable as human schema . This contrasts with the horror vacui characteristic of the designs on the schist plaques ) . Again , in contrast to rigid , straight lines on the schist plaques , curvilinear lines ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst