Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 178
... artefacts cannot constitute understanding . But it is essential evidence that understanding is proceeding from a consideration of the artefacts themselves . Without it , a coincidence of response on any other level is impossible . But ...
... artefacts cannot constitute understanding . But it is essential evidence that understanding is proceeding from a consideration of the artefacts themselves . Without it , a coincidence of response on any other level is impossible . But ...
Page 181
... Artefacts are seen as being ordered , with this order being a product of our processes of cognition . The cognitive system therefore plays a central role in this analysis , it is involved both in the production and perception of artefacts ...
... Artefacts are seen as being ordered , with this order being a product of our processes of cognition . The cognitive system therefore plays a central role in this analysis , it is involved both in the production and perception of artefacts ...
Page 182
... artefacts are not considered merely as given , but are seen in terms of the processes which are ultimately responsible for them . Artefacts are treated as a source of information relating to the processes of interaction between the mind ...
... artefacts are not considered merely as given , but are seen in terms of the processes which are ultimately responsible for them . Artefacts are treated as a source of information relating to the processes of interaction between the mind ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst