Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 139
... Aesthetic questions are fundamentally questions of perception , of how we are to perceive and understand the ... aesthetic ' ( aesthetic in two senses ) question of ' prehistoric art ' . Rejecting ' subjectivism ' or any other means of ...
... Aesthetic questions are fundamentally questions of perception , of how we are to perceive and understand the ... aesthetic ' ( aesthetic in two senses ) question of ' prehistoric art ' . Rejecting ' subjectivism ' or any other means of ...
Page 140
... aesthetic effect of the decorated anthropomorphic schist plaques of the late Neolithic and Chalcolithic of Western Iberia . She shows how we can understand the aesthetics of the schist plaques in relation to the economy with which ...
... aesthetic effect of the decorated anthropomorphic schist plaques of the late Neolithic and Chalcolithic of Western Iberia . She shows how we can understand the aesthetics of the schist plaques in relation to the economy with which ...
Page 162
... aesthetics . This means that style has a definable order , or system- atics , with known meaning and social context , whose essential elements and their relationships are known . A guiding aesthetic demands that its subjectivities of ...
... aesthetics . This means that style has a definable order , or system- atics , with known meaning and social context , whose essential elements and their relationships are known . A guiding aesthetic demands that its subjectivities of ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst