Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
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Page 208
... Greek and Greek cultures : Egyptian art was essentially totemic , embodying in its signs timeless events and timeless presences ; Greek art was doing something different it was telling stories . The narrative function of Greek art and ...
... Greek and Greek cultures : Egyptian art was essentially totemic , embodying in its signs timeless events and timeless presences ; Greek art was doing something different it was telling stories . The narrative function of Greek art and ...
Page 209
... Greek narrative tradition by an appeal to the uniqueness of Homer : - For what is the character of the Greek narration as we know it from Homer ? Briefly , it is concerned not only with the " what " but also with the " how " of mythical ...
... Greek narrative tradition by an appeal to the uniqueness of Homer : - For what is the character of the Greek narration as we know it from Homer ? Briefly , it is concerned not only with the " what " but also with the " how " of mythical ...
Page 212
... Greek art as a process of " making and matching " , with a constant progression to a more faithful image , he is left almost resourceless in the face of the clear trend away from realism in the later Roman Empire . He would like , of ...
... Greek art as a process of " making and matching " , with a constant progression to a more faithful image , he is left almost resourceless in the face of the clear trend away from realism in the later Roman Empire . He would like , of ...
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academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst