Archaeological Review from Cambridge, Volume 4Department of Archaeology - Archaeology |
From inside the book
Results 1-3 of 12
Page 208
... Gombrich's view , distinguishes the cultural achievements of the Greeks from those of their predecessors . The lifelike , illusionistic quality of Greek painting and sculpture stemmed from the artist's desire ( just like the poet's ) to ...
... Gombrich's view , distinguishes the cultural achievements of the Greeks from those of their predecessors . The lifelike , illusionistic quality of Greek painting and sculpture stemmed from the artist's desire ( just like the poet's ) to ...
Page 209
... Gombrich's arguments ( such as they are ) for the narrative catalyst come in two stages . First he observes that : narrative Egyptian art scarcely knows any illustration in our sense . There are no mythological cycles telling of the ...
... Gombrich's arguments ( such as they are ) for the narrative catalyst come in two stages . First he observes that : narrative Egyptian art scarcely knows any illustration in our sense . There are no mythological cycles telling of the ...
Page 212
... Gombrich's difficulties are understandable . Once he has depicted the developments of Greek art as a process of " making and matching " , with a constant progression to a more faithful image , he is left almost resourceless in the face ...
... Gombrich's difficulties are understandable . Once he has depicted the developments of Greek art as a process of " making and matching " , with a constant progression to a more faithful image , he is left almost resourceless in the face ...
Other editions - View all
Common terms and phrases
academic aesthetic African Alentejo analysis Anthropology archaeo Archaeological Review Archaeology areas artefacts artist Beaker Bohuslän British Cambridge 4:2 Cambridge University Press candlesticks ceramic Chippindale Christopher Chippindale Clarke classical concern considered contemporary decoration descriptive method design systematics economy and ideology elements Europe example geometric Gombrich Greek art halberd Hodder human Hyenstrand ideas images important individual interpretation James Whitley Late Bronze Age logic London material culture material record means Mesolithic Mont Bégo motifs Museum Mycenaean Neolithic Neolithic Europe objects OPMAE organisation Oxford painting particular pastoral Paul Lane period Peterborough ware picture Piggott pottery prehistoric art prehistoric record production relationship representation Review from Cambridge ritual rock carvings rock-art Rococo rôle schist plaques seen semiotic settlement shape silversmiths social society South Africa spatial specific Stonehenge structure style stylistic change stylistic patterns suggest Sweden symbolism theory types visual Welinder Wobst