Lang may thy stevin fill wi' glee Which were right gowsty but for thee, Whase sangs enamour Ilk lass, and teach wi' melody The rocks to yamour. Ye shak your head, but, o' my fegs, Ye've set auld Scota* on her legs, Lang had she lyen wi' beffs and flegs, Her fiddle wanted strings and pegs, Waes me! poor bizzie! Since Allan's death naebody car'd For frae the cottar to the laird We a' rin South. The Southland chiels indeed hae mettle, Yet we right couthily might settle The devil pay them wi' a pettle Our countra leed is far frae barren, * The name Ross gives to his muse. PART 3.] L The plot of the Fortunate Shepherdess, to which Dr. Beattie hints some exception might be taken by a nice critic, is certainly by no means pleasing. Ambition triumphs over the affections of the heart; and the humble, yet sincere lover, is discarded for a rival, whose chief recommendation is his wealth. But in the progress of the tale, there are beauties developed, which would justify even a warmer eulogium than Dr. B. has pronounced upon the work. "The celebrated Dr. Blacklock," says Dr. Irving," as I have learnt from one of his pupils, regarded it as equal to the pastoral comedy of Ramsay." And Mr. Pinkerton, who unfortunately could see nothing in the Gentle Shepherd to entitle it to a place among good compositions, says of Ross :-" Some of the descriptions are exquisitely natural and fine. The language and thoughts are more truly pastoral than any I have yet found in any poet, save Theocritus." The songs published along with the Fortunate Shepherdess, include some which have not only, as Dr. B. remarks, been long known to the people of Angus, Mearns, and Aberdeenshire, but are very general favorites in Scotland; " The rock and the wee pickle tow;" "Married and woo'd and a';" "The bride's breast knot ;" &c. There are also several songs interspersed through the poem itself; and one which is very pleasing in the third canto, entitled the "Braes of Flaviana." It is to the tune of the Lass of Patie's Mill. Of all the lads that be An' that a thousand ways; Best on the pipe he plays, Had I ten thousand pounds, I'd thole a thousand wounds Of roses I will weave My Jeany made reply; I'll lang for naething mair, Wi' him I do agree In weal an' wae to share.' Although the "Fortunate Shepherdess" was re The plot of the Fortunate Shepherdess, to which Dr. Beattie hints some exception might be taken by a nice critic, is certainly by no means pleasing. Ambition triumphs over the affections of the heart; and the humble, yet sincere lover, is discarded for a rival, whose chief recommendation is his wealth. But in the progress of the tale, there are beauties developed, which would justify even a warmer eulogium than Dr. B. has pronounced upon the work. "The celebrated Dr. Blacklock," says Dr. Irving, "as I have learnt from one of his pupils, regarded it as equal to the pastoral comedy of Ramsay." And Mr. Pinkerton, who unfortunately could see nothing in the Gentle Shepherd to entitle it to a place among good compositions, says of Ross :-" Some of the descriptions are exquisitely natural and fine. The language and thoughts are more truly pastoral than any I have yet found in any poet, save Theocritus." "The The songs published along with the Fortunate Shepherdess, include some which have not only, as Dr. B. remarks, been long known to the people of Angus, Mearns, and Aberdeenshire, but are very general favorites in Scotland; "The rock and the wee pickle tow;"" Married and woo'd and a';" bride's breast knot ;" &c. There are also several songs interspersed through the poem itself; and one which is very pleasing in the third canto, entitled the "Braes of Flaviana." It is to the tune of the Lass of Patie's Mill. Of all the lads that be |