The Dynamics of Literary Response |
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Page 37
Norman Norwood Holland. bite . The first half of the oral phase is therefore known as the pas- sive part ; the second half as the sadistic part , because one of the characteristic oral wishes is the desire to incorporate into oneself ...
Norman Norwood Holland. bite . The first half of the oral phase is therefore known as the pas- sive part ; the second half as the sadistic part , because one of the characteristic oral wishes is the desire to incorporate into oneself ...
Page 86
... oral incorporation . " Gill and Brenman found " frequent and striking evidence of some variety of oral con- flict " in their " good subjects , " those most easily hypnotized.34 One would expect the same ( albeit to a lesser degree ) in ...
... oral incorporation . " Gill and Brenman found " frequent and striking evidence of some variety of oral con- flict " in their " good subjects , " those most easily hypnotized.34 One would expect the same ( albeit to a lesser degree ) in ...
Page 290
... Oral merger Denial mythic pattern Distancing , parody , affect block 3. " Negative Oral merger Projection " Evocative " capability " feeling 4. Haiku Variable , but Projection " Evocative " including oral feeling merger 5. Senryu ...
... Oral merger Denial mythic pattern Distancing , parody , affect block 3. " Negative Oral merger Projection " Evocative " capability " feeling 4. Haiku Variable , but Projection " Evocative " including oral feeling merger 5. Senryu ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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accept adult affect anxiety associated audience become bring character child comes conscious critics deal defense describe displacement dream drive emotional example expect experience express fantasy fear feel film final formal Freud give gratification images intellectual introjection involved joke kind lady language leads least less literary literature look manage meaning mind moral mother movie myth night novel object offers oral particular pattern perhaps person phallic phrase play pleasure poem poet poetry possible Press psychoanalytic psychological puzzling reader reading reality reason relation represent response scene seems sense separate sexual short simply sound stanza story structure style subjective suggests symbols Tale tell theme things thought tion transformation turn unconscious University whole Wife wish woman writer York