Hark, hark, with what a pretty throat, SPENSER. BORN ABOUT 1553-DIED 1599. "AMONG the numerous poets," says Mr Campbell, "belonging exclusively to Elizabeth's reign, Spenser stands without a class and without a rival." He might have extended this affirmation to the reign of George IV. No one has attempted to class the most purely poetical of all poets; nor has he, in his own chosen field, ever been rivalled. "In Spenser," says that modern critic who beyond all others, has caught the fire, and formed himself on the catholic taste of our elder poets, we wander in another world among ideal beings. The poet takes us and lays us in the lap of a lovelier nature, by the sound of softer streams, among greener hills and fairer valleys. He paints nature, not as we find it, but as we expected to find it, and fulfils the delightful promise of our youth. He waves his wand of enchantment, and at once embodies airy beings, and throws a delicious veil over all actual objects. The two worlds of reality and fiction are poized on the wings of his imagination. His ideas seem more distinct than his perceptions." With equal felicity another of his modern critics has said,-" Much of his expression has now become antiquated, though it is beautiful in its antiquity, and, like the moss and ivy on some majestic building, covers the fabric of his language with romantic and venerable associations." The structure, the music of Spenser's peculiar verse, is not less admirable. It combines the stately suspense and sweeping magnificence of blank verse with the melody, the sweetness, and varied cadences of rhyme. His stanza is that which the greatest among the modern poets have talked of as monotonous and cumbrous, and adopted when they would excel themselves. It is the very air, the native melody to which his thoughts and fancies should be set. DESCRIPTION OF BELPHEBE. [From the Faerie Queene.] IN her faire eyes two living lamps did flame, For, with dredd majestie and awfull yre, She broke his wanton darts, and quenched base desyre. Her yvorie forhead, full of bountie brave, Sweete wordes, like dropping honey, she did shed; Upon her eyelids many Graces sate, So faire, and thousand thousand times more faire, Purfled upon with many a folded plight, And in her hand a sharpe bore-speare she held, Through her thin weed their places only signifide. Her yellow lockes, crisped like golden wyre, And, when the winde emongst them did inspyre, Such as Diana by the sandy shore Of swift Eurotas, or on Cynthus greene, To succour the weake state of sad afflicted Troy. * THE BOWER OF BLISS. [From the Faerie Queene.] EFTSOONES they heard a most melodious sound, Of all that mote delight a daintie eare, Such as attonce might not on living ground, Save in this paradise, be heard elsewhere: Right hard it was for wight which did it heare, To read what manner musicke that mote bee; For all that pleasing is to living eare Was there consorted in one harmonee; Birdes, voices, instruments, windes, waters, all agree: The joyous birdes, shrouded in chearefull shade, There, whence that musick semed heard to bee, That ever mixt their song with light licentious toyes. And all that while right over him she hong And oft inclining downe with kisses light, The whiles some one did chaunt this lovely lay; |