Diverse Worship: African-American, Caribbean and Hispanic PerspectivesLet the nations sing. What are the universal constants of Christian worship? What are the unique elements that arise out of diverse local contexts? How do we appropriately respect and honor both the constancy and the diversity? In Diverse Worship Pedrito U. Maynard-Reid explores the multiethnic dimensions of worship by looking at three specific cultural contexts--African-American, Caribbean and Hispanic. After surveying worship and culture through history, he devotes a section of his book to each of these three cultural context for worship. Maynard-Reid colorfully describes and characterizes each worship tradition, and he explores its historical development and change. Throughout this engaging and enlightening book, we gain new perspective on what it means to worship God. |
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Contents
Preface | 11 |
Worship Through the Ages | 29 |
Constancy Diversity | 41 |
We Had Church Today | 53 |
AfricanAmerican Music | 69 |
The Spoken Word | 86 |
An Adventure of the Spirit | 111 |
Spiritual Baptists | 124 |
Caribbean Music | 138 |
The Word the Response | 150 |
In the Spirit of a Fiesta | 161 |
Hispanic Music | 187 |
Preaching Prayer Response | 194 |
Rational Physical 203 | 203 |
Notes | 214 |
247 | |
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Common terms and phrases
African African-American American Baptists became become beginning Black Church Black Worship body brought Caribbean Catholic celebration Center century ceremonies changes Chapter Christian Worship church congregation continue culture dance developed diversity drum early elements emotional European event example experience expression faith feel fiesta give gospel hand Hispanic Holy hymns important includes Indies indigenous individual influence involves Jamaica Jesus Latino liberation liturgy lives Lord meaning Ministry move movement Nashville nature North notes Orisha participation particularly Pentecostal period person physical popular possession practices praise prayer preacher preaching Press Protestant Puerto reflect religion religious response Revival rhythm ritual Roman roots sacred says sense sermon setting ship shout significant singing slaves social society songs soul speak Spirit struggle Studies style theology tion traditional Trinidad United University West Western whole wholistic worship service York