Archaeological Review from Cambridge, Volumes 19-20Department of Archaeology, 2004 - Archaeology |
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Page 13
... produced by a culture are aesthetic objects ? ' We may be reasonably certain that every culture produced some aesthetic objects . Even if this is so , we are no closer to answering the first question . Perhaps a culture found aesthetic ...
... produced by a culture are aesthetic objects ? ' We may be reasonably certain that every culture produced some aesthetic objects . Even if this is so , we are no closer to answering the first question . Perhaps a culture found aesthetic ...
Page 91
... produced metal - detector finds of similar character in more recent years , but which remain to be explored ( Fig . 8 ) . In this map each area is shaded according to the number of early Anglo - Saxon finds found within it , giving a ...
... produced metal - detector finds of similar character in more recent years , but which remain to be explored ( Fig . 8 ) . In this map each area is shaded according to the number of early Anglo - Saxon finds found within it , giving a ...
Page 95
... produced sherd - linked glass vessel fragments and with the exception of the dark blue fragments from the National Gallery basement , all are from the central zone of Lundenwic . Naturally one cannot anticipate future discoveries or ...
... produced sherd - linked glass vessel fragments and with the exception of the dark blue fragments from the National Gallery basement , all are from the central zone of Lundenwic . Naturally one cannot anticipate future discoveries or ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Archaeology and Aesthetics | 12 |
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aesthetic experience aesthetic objects ancient Anthropology approach archaeological context Archaeological Review artefacts artist assemblages Avebury Britain British Bronze Age brooches burial Celtiberian cemeteries century coffee colonial concept construction consumption contemporary context Cornelia Parker created Deir el-Medina Department of Archaeology discussion drink early ethnicity evidence example excavation feasting Figure glass groups hapū heritage human hunter-gatherers identity illustrative representation images important individual interaction interpretation Iron Age Iron Age Britain khipu knowledge landscape landscape archaeology London Lundenwic Māori material culture mathematics means medieval Mesolithic modern monuments Museum nature Neolithic Oxford paintings particular past period perspective political pottery practice prehistoric produced region relations relationship represent Review from Cambridge Richard Long ritual Roman Roman Britain Routledge Saami sculpture Segeda settlement significant social society space stone structure symbolic theory traditional University of Cambridge University Press vessels whisky xenia Yolŋu