Archaeological Review from Cambridge, Volumes 19-20Department of Archaeology, 2004 - Archaeology |
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Page 58
... practice as social practice . The art does not constitute a body of free - floating stylistic inventions , nor does it simply mirror a natural landscape that can be found outside its cultural shaping . The same can be said about ...
... practice as social practice . The art does not constitute a body of free - floating stylistic inventions , nor does it simply mirror a natural landscape that can be found outside its cultural shaping . The same can be said about ...
Page 149
... practice across the spectrum of culture . This was present as a challenge to the hegemony of Modernist thought , exemplified by Tucker perhaps , and for whom the adoption of an absolute and divisive definition of sculpture implies ...
... practice across the spectrum of culture . This was present as a challenge to the hegemony of Modernist thought , exemplified by Tucker perhaps , and for whom the adoption of an absolute and divisive definition of sculpture implies ...
Page 133
... practice in the townscape , rather than merely architecture ) , and one by Bowden ( on the creation of identity through burial practice in seventh - century Epirus ) . Both utilise theoretical templates born in other areas of ...
... practice in the townscape , rather than merely architecture ) , and one by Bowden ( on the creation of identity through burial practice in seventh - century Epirus ) . Both utilise theoretical templates born in other areas of ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Archaeology and Aesthetics | 12 |
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aesthetic experience aesthetic objects ancient Anthropology approach archaeological context Archaeological Review artefacts artist assemblages Avebury Britain British Bronze Age brooches burial Celtiberian cemeteries century coffee colonial concept construction consumption contemporary context Cornelia Parker created Deir el-Medina Department of Archaeology discussion drink early ethnicity evidence example excavation feasting Figure glass groups hapū heritage human hunter-gatherers identity illustrative representation images important individual interaction interpretation Iron Age Iron Age Britain khipu knowledge landscape landscape archaeology London Lundenwic Māori material culture mathematics means medieval Mesolithic modern monuments Museum nature Neolithic Oxford paintings particular past period perspective political pottery practice prehistoric produced region relations relationship represent Review from Cambridge Richard Long ritual Roman Roman Britain Routledge Saami sculpture Segeda settlement significant social society space stone structure symbolic theory traditional University of Cambridge University Press vessels whisky xenia Yolŋu