Archaeological Review from Cambridge, Volumes 19-20Department of Archaeology, 2004 - Archaeology |
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Page 5
... artist Cornelia Parker and actress Tilda Swinton explored the intimate relationship between displayed object and audience in the installation work The Maybe ( 1996 ) . In ' Maybe art or artefact : Cornelia Parker and the body behind ...
... artist Cornelia Parker and actress Tilda Swinton explored the intimate relationship between displayed object and audience in the installation work The Maybe ( 1996 ) . In ' Maybe art or artefact : Cornelia Parker and the body behind ...
Page 62
... artist at work , when it is finished it takes on a new iconic status . It is lost , in a sense , even to its creator ... artist has approached the god - like act of creation , and the role that the artist played and plays in society . In ...
... artist at work , when it is finished it takes on a new iconic status . It is lost , in a sense , even to its creator ... artist has approached the god - like act of creation , and the role that the artist played and plays in society . In ...
Page 115
... artist Richard Long has used walking as a basis for his art . These walks vary in nature , sometimes meandering over ... artist's experience of the world . A walk across a landscape may be represented as a straight line drawn on a map ...
... artist Richard Long has used walking as a basis for his art . These walks vary in nature , sometimes meandering over ... artist's experience of the world . A walk across a landscape may be represented as a straight line drawn on a map ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Archaeology and Aesthetics | 12 |
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aesthetic experience aesthetic objects ancient Anthropology approach archaeological context Archaeological Review artefacts artist assemblages Avebury Britain British Bronze Age brooches burial Celtiberian cemeteries century coffee colonial concept construction consumption contemporary context Cornelia Parker created Deir el-Medina Department of Archaeology discussion drink early ethnicity evidence example excavation feasting Figure glass groups hapū heritage human hunter-gatherers identity illustrative representation images important individual interaction interpretation Iron Age Iron Age Britain khipu knowledge landscape landscape archaeology London Lundenwic Māori material culture mathematics means medieval Mesolithic modern monuments Museum nature Neolithic Oxford paintings particular past period perspective political pottery practice prehistoric produced region relations relationship represent Review from Cambridge Richard Long ritual Roman Roman Britain Routledge Saami sculpture Segeda settlement significant social society space stone structure symbolic theory traditional University of Cambridge University Press vessels whisky xenia Yolŋu