Archaeological Review from Cambridge, Volumes 19-20Department of Archaeology, 2004 - Archaeology |
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Page 15
... artefacts that are used in the ritual . Artefacts whose basic function is to record or communicate information tend to be alike for quite a different reason . Communication depends on fixed conventions . If artefacts are used to record ...
... artefacts that are used in the ritual . Artefacts whose basic function is to record or communicate information tend to be alike for quite a different reason . Communication depends on fixed conventions . If artefacts are used to record ...
Page 17
artefacts are aesthetic objects even in a radical archaeological context . If we discover artefacts whose form is not determined by a practical function and which are all quite alike , then they are not aesthetic objects . If these ...
artefacts are aesthetic objects even in a radical archaeological context . If we discover artefacts whose form is not determined by a practical function and which are all quite alike , then they are not aesthetic objects . If these ...
Page 43
... artefacts as ' material interferences ' or as ' material intentions to change ' . He views artefacts as linked to peoples ' intentions to change something from what it was to what they thought it should be ( Wobst 1997 ) , or to prevent ...
... artefacts as ' material interferences ' or as ' material intentions to change ' . He views artefacts as linked to peoples ' intentions to change something from what it was to what they thought it should be ( Wobst 1997 ) , or to prevent ...
Contents
Foreword | 1 |
How Little Does it Take to Represent a Face? | 9 |
Archaeology and Aesthetics | 12 |
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aesthetic experience aesthetic objects ancient Anthropology approach archaeological context Archaeological Review artefacts artist assemblages Avebury Britain British Bronze Age brooches burial Celtiberian cemeteries century coffee colonial concept construction consumption contemporary context Cornelia Parker created Deir el-Medina Department of Archaeology discussion drink early ethnicity evidence example excavation feasting Figure glass groups hapū heritage human hunter-gatherers identity illustrative representation images important individual interaction interpretation Iron Age Iron Age Britain khipu knowledge landscape landscape archaeology London Lundenwic Māori material culture mathematics means medieval Mesolithic modern monuments Museum nature Neolithic Oxford paintings particular past period perspective political pottery practice prehistoric produced region relations relationship represent Review from Cambridge Richard Long ritual Roman Roman Britain Routledge Saami sculpture Segeda settlement significant social society space stone structure symbolic theory traditional University of Cambridge University Press vessels whisky xenia Yolŋu