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as it were, just as I should have been had it been my own case? But hush! O la! what noise is that? There he is again! Well, to be certain, though I know there is nothing at all in it,' I am glad I am not down yonder, where those men are." Then, turning his eyes again upon Hamlet, "Ay, you may draw your sword; what signifies a sword against the power of the devil?"

During the second act Partridge made very few remarks. He greatly admired the fineness of the dresses, nor could he help observing upon the king's countenance. "Well," said he, “how people may be deceived by faces! Nulla fides fronti1 is, I find, a true saying. Who would think, by looking in the king's face, that he had ever committed a murder?" He then inquired after the ghost; but Jones, who intended he should be surprised, gave him no other satisfaction than that he might possibly see him again soon, and in a flash of fire.

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Partridge sat in fearful expectation of this; and now, when the ghost made his next appearance, Partridge cried out, 'There, sir, now! what say you now? Is he frightened now, or no? As much frightened as you think me, and to be sure, nobody can help some fears. I would not be in so bad a condition as what's his name, — Squire Hamlet, — is there, for all the world. Bless me! what's become of the spirit? As I am a living soul, I thought I saw him sink into the earth." Indeed, you saw right," answered Jones. "Well, well," cries Partridge, "I know it is only a play; and besides, if there was anything in all this; Madam Miller would not laugh so; for as to you, sir, you would not be afraid, I believe, if the devil was here in person. There, there! Ay, no wonder you are in such a passion! Shake the vile wicked wretch to pieces! If she was my own mother, I should serve her so. To be sure all duty to a mother is forfeited by such wicked doings. Ay, go about your business!

I hate the sight of you."

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Our critic was now pretty silent till the play which Hamlet introduces before the king. This he did not at first understand, till Jones explained it to him, but he no sooner entered into the spirit of it, than he began to bless himself that he had never committed murder. Then, turning to Mrs. Miller, he asked her if she did not imagine the king looked as if he was touched;

1 "Put no trust in the outside."

though he is," said he, "a good actor, and doth all he can to hide it. Well, I would not have so much to answer for as that wicked man there hath, to sit upon a much higher chair than he sits upon. No wonder he ran away; for your sake I'll never trust an innocent face again."

The grave-digging scene next engaged the attention of Partridge, who expressed much surprise at the number of skulls thrown upon the stage. To which Jones answered that it was one of the most famous burial-places about town. "No wonder, then," cries Partridge, "that the place is haunted. But I never saw in my life a worse grave-digger. I had a sexton, when I was clerk, that should have dug three graves while he is digging one. The fellow handles a spade as if it was the first time he had ever had one in his hand. Ay, ay, you may sing; you had rather sing than work, I believe." Upon Hamlet's taking up the skull, he cried out, "Well! it is strange to see how fearless some men are. I never could bring myself to touch anything belonging to a dead man, on any account. He seemed frightened enough, too, at the ghost, I thought. Nemo omnibus horis sapit.”1

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Little more worth remembering occurred during the play, at the end of which Jones asked him which of the players he had liked best. To this he answered, with some appearance of indignation at the question, "The king, without doubt." "Indeed, Mr. Partridge," says Mrs. Miller, “you are not of the same opinion with the town; for they are all agreed that Hamlet is acted by the best player who ever was on the stage." "He the best player!" cries Partridge, with a contemptuous sneer. Why, I could act as well as he myself. I am sure if I had seen a ghost I should have looked in the very same manner, and done just as he did. And then, to be sure, in that scene, as you called it, between him and his mother, where you told me he acted so fine, why, Lord help me, any man that is, any good man that had such a mother would have done exactly the same. I know you are only joking with me; but indeed, madam, though I was never at a play in London, yet I have seen acting before in the country; and the king for my money. He speaks all his words distinctly, half as loud again as the other. Anybody may see he is an actor."

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1 "No one is wise all the time."

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PHILIP DORMER STANHOPE, FOURTH

EARL OF CHESTERFIELD

LETTERS TO HIS SON, PHILIP STANHOPE

[Lord Chesterfield's letters to his natural son were chiefly written between 1739 and 1754. They were published in 1774, the year following his death, by the son's widow, Mrs. Eugenia Stanhope, who sold them to the publisher for £1500. They attained immediate popularity, and were often reprinted; they were also frequently attacked for their cynicism and worldliness. (See the comment of Dr. Johnson, quoted by Boswell, page 638, below.)]

XLIII

October 9, 1747.

PEOPLE will, in a great degree, and not without reason, form their opinion of you upon that which they have of your friends; and there is a Spanish proverb which says very justly, "Tell me whom you live with, and I will tell you who you are."\ One may fairly suppose that a man who makes a knave or a fool his friend has something very bad to do or to conceal. But, at the same time that you carefully decline the friendship of knaves and fools, if it can be called friendship, there is no occasion to make either of them your enemies, wantonly and unprovoked; for they are numerous bodies, and I would rather choose a secure neutrality, than alliance, or war, with either of them. You may be a declared enemy to their vices and follies, without being marked out by them as a personal one. Their enmity is the next dangerous thing to their friendship. Have a real reserve with almost everybody, and have a seeming reserve with almost nobody; for it is very disagreeable to seem reserved, and very dangerous not to be so. Few people find the true medium; many are ridiculously mysterious and reserved upon trifles, and many imprudently communicative of all they know. The next thing to the choice of your friends is the choice of your company. Endeavor, as much as you can, to keep company with people above you. There you rise, as much as you sink with people below you; for (as I have mentioned before) you are whatever the company you keep is. Do not mistake,

when I say company above you, and think that I mean with regard to their birth; that is the least consideration; but I mean with regard to their merit, and the light in which the world considers them.

There are two sorts of good company: one, which is called the beau monde, and consists of those people who have the lead in courts and in the gay part of life; the other consists of those who are distinguished by some peculiar merit, or who excel in some particular and valuable art or science. For my own part, I used to think myself in company as much above me, when I was with Mr. Addison and Mr. Pope, as if I had been with all the princes in Europe. . . .

You may possibly ask me whether a man has it always in his power to get into the best company? and how? I say, Yes, he has, by deserving it; provided he is but in circumstances which enable him to appear upon the footing of a gentleman. Merit and good breeding will make their way everywhere. Knowledge will introduce him, and good breeding will endear him, to the best companies; for, as I have often told you, politeness and good breeding are absolutely necessary to adorn any or all other good qualities or talents. Without them no knowledge, no perfection whatsoever, is seen in its best light. The scholar, without good breeding, is a pedant; the philosopher a cynic; the soldier a brute; and every man disagreeable.

LVII

February 22, 1748.

Some learned men, proud of their knowledge, only speak to decide, and give judgment without appeal. The consequence of which is, that mankind, provoked by the insult and injured by the oppression, revolt; and, in order to shake off the tyranny, even call the lawful authority in question. The more you know, the modester you should be; and (by the by) that modesty is the surest way of gratifying your vanity. Even where you are sure, seem doubtful; represent, but do not pronounce; and, if you would convince others, seem open to conviction yourself.

Others, to show their learning, or often from the prejudices of a school education, where they hear nothing else, are always talking of the Ancients as something more than men, and of the Moderns as something less. They are never without a classic or

two in their pockets; they stick to the old good sense; they read none of the modern trash; and will show you plainly that no improvement has been made, in any one art or science, these last seventeen hundred years. I would by no means have you disown your acquaintance with the ancients, but still less would I have you brag of an exclusive intimacy with them. Speak of the moderns without contempt, and of the ancients without idolatry; judge them all by their merits, but not by their age; and, if you happen to have an Elzevir classic in your pocket, neither show it nor mention it.

Some great scholars, most absurdly, draw all their maxims, both for public and private life, from what they call parallel cases in the ancient authors; without considering that, in the first place, there never were, since the creation of the world, two cases exactly parallel, and, in the next place, that there never was a case stated, or even known, by any historian, with every one of its circumstances, which, however, ought to be known in order to be reasoned from. Reason upon the case itself, and the several circumstances that attend it, and act accordingly; but not from the authority of ancient poets or historians. Take into your consideration, if you please, cases seemingly analogous, but take them as helps only, not as guides. We are really so prejudiced by our educations, that, as the ancients deified their heroes, we deify their madmen; of which, with all due regard to antiquity, I take Leonidas and Curtius to have been two distinguished ones. And yet a solid pedant would, in a speech in Parliament relative to a tax of twopence a pound upon some commodity or other, quote those two heroes as examples of what we ought to do and suffer for our country. I have known these absurdities carried so far by people of injudicious learning, that I should not be surprised if some of them were to propose, while we are at war with the Gauls, that a number of geese should be kept in the Tower, upon account of the infinite advantage which Rome received, in a parallel case, from a certain number of geese in the Capitol. This way of reasoning and this way of speaking will always form a poor politician and a puerile declaimer.

There is another species of learned men who, though less dogmatical and supercilious, are not less impertinent. These are the communicative and shining pedants, who adorn their

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