" and images of beauty, and whose great succeis was dcubtless a spur to his ambition to attain a like enviable fame. On his return home, the friendship and patronage of the reigning monarch were continued to him. He was made controller of the customs of wine and wool, the revenue from which office, together with a pension that was granted to him, gave him a liberal support. During the whole of the reign of Edward III, his genius and connections ensured to him prosperity, and also during the period of John of Gaunt's influence in the succeeding reign of Richard II, 1377—1399. But during the waning fortunes of that nobleman, Chaucer also suffered, and was indeed imprisoned for a short time; but on the return of the Duke of Lancaster from Spain, 1389, he had once more a steady protector, and on the accession of Henry IV., he had an additional annuity con. ferred upon him. But he did not live long to enjoy this accession to his for. tune, for he died on the twenty-fifth of October, 1400, and was interred in Westminster Abbey. We know little of Chaucer as a member of society; but we know that he had mingled with the world's affairs, both at home and abroad. Accomplished in manners and intimately acquainted with a splendid court, he was at once the philosopher who had surveyed mankind in their widest sphere, the poet who haunted the solitudes of nature, and the elegant courtier whose opulent tastes are often discovered in the graceful pomp of his descriptions. The vigorous yet finished paintings, with which his works abound, are still, notwithstanding the roughness of their clothing, beauties of a highly poetical nature. The ear may not always be satisfied, but the mind of the reader is always filled. Chaucer's genius, like Cowper's, was not fully developed till he was advanced in years; for it was not until he was about sixty, in the calm evening of a busy life, that he composed his great work on which his fame chiefly rests, his CANTERBURY Tales. He took the idea, doubtless, from the Decameron of Boccacio,2 at that time one of the most popular of books. He sipposes that a company of pilgriins, consisting of twenty-nine « sundry folk," meet together at the Tabard inn, Southwark,3 on their way to the shrine of Thomas á Becket,' at Canterbury. While at supper they agreed, at the suggestion of their host, not only to pursue their journey together the next morning, but, in order to render their way the more interesting, that each should divert the others with a tale, both in going and returning, and that whoever told the best, should have a supper at the expense of the rest; and that the landlord should be the judge. It will thus be seen that the plan of Chaucer is vastly superior to that of Boccacio. His characters, instead of being youthful and from the same city, are of matured experience, from various places, and are drawn from different classes of mankind, and consequently are, in their rank, appearance, man. ners, and habits, as various as at that time could be found in the several departments of middle lise; that is, in fact, as various as could, with any probability, be bronght together, so as to form one company; the highest and lowest ranks of society being necessarily excluded. But what gives us the greatest admiration of the poet, is the astonishing skill with which he has supported his characters, and the exquisite address that he has shown in adapting his stories to the different humors, sentiments, and talents of the reciters. He has thus given us such an accurate picture of ancient manners as no contemporary writer has transmitted to posterity, and in the Canterbury Tales we view the pursuits and employments, the customs and diversions of the reign of Edward III., copied from the life, and represented with equal truth and spirit. It has been justly remarked, that it was no inferior combination of observation and sympathy which could bring together into one company the many-colored conditions and professions of society, delineated with pictorial force, and dramatized by poetic conception, reflecting thembelves in the tale which seemed most congruous to their humors.' The following are some select characters, as portrayed in the Prologue.? + 1 Read Hippesley's Early English Literature : also, Todd's Illustrations of Gower and Chaucer. “I take operasing delight in Chaucer. His manly cheerfulness is especially delicious in my old age. How exquisitely tender he is." --Coleridge'. Table Talk. Rend, also, Chaucer Modernized, 1 vol. 12mo, with a well-written introduction on English poetry by R. H. Horne, and versifications by Wordsworth, Lelyh Hunt, and others. ? Bocorcio sopposes that when the plague began to abate in Florence, (1348, ten young persons of both sexes retired to the country to enjoy the fresh air, and pass TEN Days agreeably. (Hence the DAME DECAMEROS, from the Greek čeka (teka) “ten," and nuepa (hemera) "a day." Their principri amusement was in telling tales in turn; and as each of the ten told a story a day, and as they continued together ten days, the Decameron consists of one hundred tales. * Opposite the city of London, on the Thames. * For the murder of this famous archbishop in the reign of Henry II., A.D. 1171, see History of England. Canterbury is 53 miles south-cast from London. THE PROLOGUE. 1 Read D'Israel's Amenities of Literature, 3 vols. 8vo. 2 In a subsequent age, the great work of Chaucer exerted a powerful influence in helping on the great cause of the Reformation. So much was Cardinal Wolsey offended at the severity with which the papal clergy were treated in the Pilgrini's Tale, that he laid an interdict upon its ever being printed with the rest of the work, and it was with dificulty that the Ploughman's Tale was permitted to stand. John Fox, (1917–1587,) the historian of the martyrs, thus writes : “But much more I mervaile to consider this, how that the bishops condemning and abolishing all maner of English bookes and treatises, which might bring the people to any light of knowledge, did yet aulhorize the Workes of Chancer to remaine. So it pleased God to blind then the eles of them, for the mure commodoty of his people." Sote--sweet. 4 Rote-root. 6 Holt-grove, forest. 6 To make this line consistent with the first, it should read Bull instead of Ram, for he says that the time of this pigrimage was when the showers of April had plerced into the root the drought of March, so that April, which corresponds to the constellation of the Bull, must have been far advanced Read, Tyrwhitt's Introduction to Canterbury Taks. * Courages-hearts, spirits. I coulb-known. 10 Wend- 80, make way. 8 Hallows-boliness. The holy blissful martyr for to seek Befell that in that season on a day, THE KNIGHT AND SQUIRE. A Knight there was, and that a worthy man With him there was his son, a younge Squire, Embroider'd was he, as it were a mead 1 That is, the inn called “The Tabard." The Tabard was a "jacket, or sleeveless coat, worn In times past by noblemen in the wars, but now only by heralds, and is called thehi coat of arms in service."- Speght. 9 Wenden-go, make way. % Wide--spacious. 4 Eased atté bestcommodiously lodged. 5 Farre--farther. 6 Wonderly deliver-wonderfully active : from the French libre, free. 7 Chevachie, (French, chevauchee,) a military expedition. & Conducted Hirself well, considering the short time that he had served. 9 Floyting-Outing, playing on thu fute, whletling. The equire would not, in all probability, have a flute always with him. I woula therefore prefer the reading that he "chitled all the day:” as being a more natural touch of charao ter, as well as in keeping with the hilarity of youth. 10 Nightertale-night-time. THE CLERK." A Clerk' there was of Oxenford also, THE WIFE. A good Wife was there of besidé Bath, In the Interesting character of the "clerk" or scholar, whose poverty, delight in study, and inAttention to worldly afirs are eminently conspicuous, Warton thinks that Chaucer glanced at the Inattention paid to literature, and the unpro tableness of philosophy. . That is, a scholar. 3 Ygo--parl. pzst, gone. 4 Overest courtepy-uppermost short cloak, > Lever-rather. 6 Hent-catch holl of. 1 Scholny-study. 8 High sentence-. e. lofty period. Scathe-harm, damage. 10 Haunt-custom. 11 Head-dresy. 12 Moist-fresh 13 This alludes to the old custom of the parties joining hands at the door of the church before they went up to the altar to consummate the union; and this jolly dane and good housewife is repreKated as having gone through that interesting ceremory five times. 4 THE PARSON." He setté not his benefice to hire, 10 1 In describing the sanctity, simplicity, sincerity, patience, industry, courage, and conscientior Impartiality of this excellent parish-priest, Chaucer, as Warton observes, has shown his good senke and good heart. Is not Goldsmith indebted to it for some of the beautiful traits in the character of Ms Village Preacher, in the Deserted Filage ? Parishenis--parishioners. 3 Sithes--times. 4 Suffisance-suficiency. Much and Ilte-great and small. 6 Yal-gave. 7 Lewed-Ignorant. 8 Accumbredenenmbered, 9 Clantery. An endowment for the payment of a priest to sing mass agreeably to the appoint ment of the founder. There were thirty-five of these chantries established at St. Paul's, which were served by ffty-four priests.-Dugdal, Hist. pref. p. 41. 19 Withold ---withholden, withheld 11 Diapitons--inexorable, angry to excees. 12 Dangerous-sparing. 13 Digne--proud, disdainu. |