Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 46
... upper part remains belong to , as a result of lower part remains being mixed into the upper part . " Are we to assume that the stratified layers are not all that discrete or unadulterated ? Moreover , the general conclusions are stated ...
... upper part remains belong to , as a result of lower part remains being mixed into the upper part . " Are we to assume that the stratified layers are not all that discrete or unadulterated ? Moreover , the general conclusions are stated ...
Page 52
... upper part of the mantel of a painted amphora or jar . In form , with its tall flaring neck and everted rim and the apparent roundness of the mantel , it closely resembles the red ware amphorae of Ma - chia - yao previously illustrated ...
... upper part of the mantel of a painted amphora or jar . In form , with its tall flaring neck and everted rim and the apparent roundness of the mantel , it closely resembles the red ware amphorae of Ma - chia - yao previously illustrated ...
Page 115
... upper level the bowl of the pei ( Figure 214 ) becomes deeper , and its sides curve to create a concave silhouette . The stem is contracted and somewhat bowed , and the foot , like that on the tou of the same period , ends in a ...
... upper level the bowl of the pei ( Figure 214 ) becomes deeper , and its sides curve to create a concave silhouette . The stem is contracted and somewhat bowed , and the foot , like that on the tou of the same period , ends in a ...
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Common terms and phrases
Academia Sinica Amphora Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware calligraphy carbon-14 dates celestial stems Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan décor decoration dentate diagonal early earthly branches Eastern Antiquities Erh-li-t'ou excavated Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai Hsia-meng-ts'un hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kansu ts'ai-t'ao Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih stem stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River wen-hua Wen-wu Yang-shao culture Zhaoyang