Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 34
... suggest a spiral design . The ware of these sherds and the quality of the paint are exactly in keeping with the rest of the material constituting this phase . Designs on the other sherds from Chu - chia - chai ( Figure 69 ) suggest that ...
... suggest a spiral design . The ware of these sherds and the quality of the paint are exactly in keeping with the rest of the material constituting this phase . Designs on the other sherds from Chu - chia - chai ( Figure 69 ) suggest that ...
Page 44
Östasiatiska museet. yao tradition to suggest that they form a separate style , one most likely developed not at Ma ... suggested by the presence of red ware , cord - impressed , pointed - bottom water vessels ) one of the most ...
Östasiatiska museet. yao tradition to suggest that they form a separate style , one most likely developed not at Ma ... suggested by the presence of red ware , cord - impressed , pointed - bottom water vessels ) one of the most ...
Page 111
... suggest instead that the first neolithic . . . culture of North China , known as the Yangshao , developed out of a Hoabinhian subculture that moved north from northern Southeast Asia about the sixth or seventh millenium B. C. " ( 2 ) ...
... suggest instead that the first neolithic . . . culture of North China , known as the Yangshao , developed out of a Hoabinhian subculture that moved north from northern Southeast Asia about the sixth or seventh millenium B. C. " ( 2 ) ...
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Common terms and phrases
Academia Sinica Amphora Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware calligraphy carbon-14 dates celestial stems Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan décor decoration dentate diagonal early earthly branches Eastern Antiquities Erh-li-t'ou excavated Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai Hsia-meng-ts'un hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kansu ts'ai-t'ao Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih stem stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River wen-hua Wen-wu Yang-shao culture Zhaoyang