Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 114
... less bulbous legs . The corners of the pouring channel are bent in over the mouth ; and an appliqué band around the body of the vessel has become more or less a standard feature ( Figure 210 ) . " ) But it is the tou and pei which have ...
... less bulbous legs . The corners of the pouring channel are bent in over the mouth ; and an appliqué band around the body of the vessel has become more or less a standard feature ( Figure 210 ) . " ) But it is the tou and pei which have ...
Page 122
... less delicately potted , and less angular in articulation than before , and they are decorated in the main by widely spaced circumferential incised lines or raised ribs . More specifically , the pottery from the second level at Erh - li ...
... less delicately potted , and less angular in articulation than before , and they are decorated in the main by widely spaced circumferential incised lines or raised ribs . More specifically , the pottery from the second level at Erh - li ...
Page 123
... less angularized , less constricted and less sinister configuration.4 ) On the whole , the pottery of Erh - li - t'ou is softer in its contours , and more comfortable and gentle in aspect ; and while it often betrays an experimental ...
... less angularized , less constricted and less sinister configuration.4 ) On the whole , the pottery of Erh - li - t'ou is softer in its contours , and more comfortable and gentle in aspect ; and while it often betrays an experimental ...
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Common terms and phrases
Academia Sinica Amphora Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware calligraphy carbon-14 dates celestial stems Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan décor decoration dentate diagonal early earthly branches Eastern Antiquities Erh-li-t'ou excavated Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai Hsia-meng-ts'un hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kansu ts'ai-t'ao Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih stem stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River wen-hua Wen-wu Yang-shao culture Zhaoyang