Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
From inside the book
Results 1-3 of 37
Page 29
... evolved from the Wei River or Chung - yüan traditions . No scholars who have set out to outline such a development have done so in a convincing manner . " ) On the other hand , it is my own conviction that an unbroken evolution of ...
... evolved from the Wei River or Chung - yüan traditions . No scholars who have set out to outline such a development have done so in a convincing manner . " ) On the other hand , it is my own conviction that an unbroken evolution of ...
Page 69
Östasiatiska museet. Chapter V THE MIAO - TI - KOU TRADITION 1 The Evolution of the Style The particularly elusive and mystifying beauty of the Miao - ti - kou style - which sets it apart from both the simple Pan ... Evolution of the Style 2.
Östasiatiska museet. Chapter V THE MIAO - TI - KOU TRADITION 1 The Evolution of the Style The particularly elusive and mystifying beauty of the Miao - ti - kou style - which sets it apart from both the simple Pan ... Evolution of the Style 2.
Page 71
... evolution of the pottery found within them . By far the most sweeping and provocative interpretation of the Miao - ti - kou culture to appear before the Cultural Revolution was that published by Su Ping- ch'i in 1965. " ) His view was ...
... evolution of the pottery found within them . By far the most sweeping and provocative interpretation of the Miao - ti - kou culture to appear before the Cultural Revolution was that published by Su Ping- ch'i in 1965. " ) His view was ...
Other editions - View all
Common terms and phrases
Academia Sinica Amphora Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware calligraphy carbon-14 dates celestial stems Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan décor decoration dentate diagonal early earthly branches Eastern Antiquities Erh-li-t'ou excavated Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai Hsia-meng-ts'un hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kansu ts'ai-t'ao Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih stem stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River wen-hua Wen-wu Yang-shao culture Zhaoyang