Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 30
Östasiatiska museet. Ma - chia - yao designs travelled , ultimately to serve as the inspiration for the Chung - yüan Miao - ti - kou painted designs . What I believe to constitute the earliest proto - Ma - chia - yao style ( proto - Ma ...
Östasiatiska museet. Ma - chia - yao designs travelled , ultimately to serve as the inspiration for the Chung - yüan Miao - ti - kou painted designs . What I believe to constitute the earliest proto - Ma - chia - yao style ( proto - Ma ...
Page 73
... design and very few more shallow p'en with late designs . Moreover , Su's view that the later p'en tend to be taller , combined with Yen Wen - ming's notion that the bases of the later vessels are more pronouncedly concave in profile ...
... design and very few more shallow p'en with late designs . Moreover , Su's view that the later p'en tend to be taller , combined with Yen Wen - ming's notion that the bases of the later vessels are more pronouncedly concave in profile ...
Page 76
... designs of the late stage are of an entirely abstract nature , having been originally mere outlines of discrete spiriform designs , and they possess no representational attributes whatever . The decline of the spiral might have had a ...
... designs of the late stage are of an entirely abstract nature , having been originally mere outlines of discrete spiriform designs , and they possess no representational attributes whatever . The decline of the spiral might have had a ...
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Common terms and phrases
Academia Sinica Amphora Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware calligraphy carbon-14 dates celestial stems Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan décor decoration dentate diagonal early earthly branches Eastern Antiquities Erh-li-t'ou excavated Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai Hsia-meng-ts'un hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kansu ts'ai-t'ao Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih stem stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River wen-hua Wen-wu Yang-shao culture Zhaoyang