Bulletin (Östasiatiska Samlingarna (Stockholm, Sweden))The Museum, 1960 - China "Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191. |
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Page 7
Östasiatiska museet. Theory . " ) Basically this theory has two corollaries : ( 1 ) that the Yang - shao painted ware tradition originated in the Chung - yüan , or Central Plains , and only later reached Kansu ; ( 2 ) that the Lung ...
Östasiatiska museet. Theory . " ) Basically this theory has two corollaries : ( 1 ) that the Yang - shao painted ware tradition originated in the Chung - yüan , or Central Plains , and only later reached Kansu ; ( 2 ) that the Lung ...
Page 9
... Theory remains a productive and meaningful antidote to the old Two Culture Theory , in so far as the Lung - shan age in Central China apparently signifies no ascendancy or take - over by the southern and eastern based Lung - shan people ...
... Theory remains a productive and meaningful antidote to the old Two Culture Theory , in so far as the Lung - shan age in Central China apparently signifies no ascendancy or take - over by the southern and eastern based Lung - shan people ...
Page 97
... Theory and the Two Culture Theory An effort to trace the Miao - ti - kou tradition beyond the Chung - yüan into the regions of the south and southeast inevitably brings one to grips with the problem of ... Theory and the Two Culture Theory.
... Theory and the Two Culture Theory An effort to trace the Miao - ti - kou tradition beyond the Chung - yüan into the regions of the south and southeast inevitably brings one to grips with the problem of ... Theory and the Two Culture Theory.
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Common terms and phrases
Academia Sinica Amphora Archaeology Author's photograph Bada Shanren black paint BMFEA Buff ware calligraphy carbon-14 dates celestial stems Ch'eng-tzu Ch'i-chia Ch'ing-lien-kang Ch'ü-chia-ling chien-pao Brief report China Chung-yüan décor decoration dentate diagonal early earthly branches Eastern Antiquities Erh-li-t'ou excavated Figure forms graves Honan Hou-kang Hsi-hsia-hou Hsia Nai Hsia-meng-ts'un hsin-shih-ch'i shih-tai Hua-t'ing phase Ibid k'ao-ku Kansu Kansu ts'ai-t'ao Kiangsu KKHP KKTH kuan Kwang-chih Lanchou late stage Liang-ch'eng-chen lines Liu-lin Lo-yang Lung-shan culture Ma-chia-yao Style Ma-chia-yao tradition mantel Miao-ti motifs Museum neck neolithic nuclei ovals p'en p'ing painted pottery painted ware Palmgren Pan-p'o Pan-shan Style pao-kao pattern Peking period Plate proto-Ma-chia-yao San-li-ch'iao segmental triangles Series D shan Shang Shantung Shensi sherds Shih shih-tai i-chih stem stratigraphic stratum Style Three surface Ta-ho-ts'un Ta-tun-tzu Ta-wen-k'ou tiao-ch'a ting Tung-hai-yü unpainted upper vessels Wei River wen-hua Wen-wu Yang-shao culture Zhaoyang