Proceedings of the British Academy, Volume 9British Academy, 1976 - Humanities |
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Page 270
... imaginative intuition . The art and beauty lie primarily in his imagination and secondarily in the imagination of those to whom his own may communicate its experience . The picture or the music are by themselves neither art nor beauty ...
... imaginative intuition . The art and beauty lie primarily in his imagination and secondarily in the imagination of those to whom his own may communicate its experience . The picture or the music are by themselves neither art nor beauty ...
Page 271
... imagination yearns towards externality , and externality in some special medium . 2 Indeed , as we have seen , Croce's whole heart is set on insisting that there is no jot or tittle of content in our imagination beyond what has passed ...
... imagination yearns towards externality , and externality in some special medium . 2 Indeed , as we have seen , Croce's whole heart is set on insisting that there is no jot or tittle of content in our imagination beyond what has passed ...
Page 272
... imagination is formed . We may consider the art of music . Apart from the special discipline and experience which the instrument affords , the special world of purified sound in which the musical imagination is exercised and educated ...
... imagination is formed . We may consider the art of music . Apart from the special discipline and experience which the instrument affords , the special world of purified sound in which the musical imagination is exercised and educated ...
Contents
OFFICERS AND COUNCIL 192021 | 21 |
RALEIGH LECTURE ON HISTORY 1920 THE BRITISH SOLDIER | 29 |
ANNUAL REPORT FOR 191819 | 31 |
Copyright | |
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